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JUILLIARD BOUND 17-Year-Old William Leathers 1 of 3 undergraduates accepted to Prestigious Music School

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BY: ALYSSA MAHADEO

It’s amazing to see the kindness people will show a complete stranger.

On Thursday, August 2nd at Aqua Dolce Restaurant in Toronto the community came together for a pre-carnival event, Sunset and Cocktails, hosted by Shawn Cuffie and his team DLM Entertainment.

The event organized by DLM and sponsored by Anthony Benjamin, of Benjamin Law was a social event to kick off the weekend as well as encourage the community to come out to network and help contribute to the dream of one young man.

At only 17-years-old young trumpeter William Leathers has managed to secure a spot at Juilliard one of the most prestigious music schools in North America.

The school is known for its highly competitive and prestigious arts programs in dance, acting, and music. At any given time, there are only about 800 students from 42 countries enrolled.

William Franklyn Leathers was born and raised in Toronto, Ontario, Canada. Since the age of 4, William has been a performer of the musical arts as a young pianist, and at the age of 12, he became the youngest trumpeter accepted into the Toronto Symphony Youth Orchestra, as well as the Halton Mississauga Youth Orchestra.

“One of my family friends Andray Domise who’s a freelance writer saw my announcement on Facebook that I had gotten into Juilliard and he knew that it was going to be kind of a struggle with the money,” William recalls. “He contacted my mom to find out how he could help and he set up a funding campaign in my honor.”

The tuition cost for Juilliard is $71,000 US dollars per year for four years, which comes out to roughly $91,000 every year in Canadian dollars.

William comes from a musical background, his father Howard Leathers is a gifted, multi-talented Canadian trumpet player and singer. He specializes in multiple musical genres from big band, jazz and classical to world music forms such as West Indian, Bollywood and Moroccan.

“I started playing when I was 4, I saw the cartoon Oswald the Octopus that plays piano,” William shares. “I wanted to play because of it, and I asked my mom for about 6 months before she was eventually able to get me into lessons.”

He shares that since his father played the trumpet it was also something he wanted to do his whole life, but had to wait till his teeth came in.

“My dad showed me a few notes when I was 6, and then I got my own trumpet for Christmas when I turned 7 and that’s when the work really started.”

In addition to school, William would attend private lessons to practice his skills and learn the correct techniques to play different pieces moving at his own pace. His father taught him the trumpet until the age of 12 when he decided that he wanted to play more orchestral and classical music and went on to study under his middle school teacher who was the principal trumpet of the Guelph Symphony at the time.

“It’s been about 10 years of real work,” William explains. “The past 5 years has been prep for Juilliard.”

When it came time to apply for University, William says his mom was knowledgeable on all the names of the schools he needed to apply to. Through some extra work and research, they narrowed it down to a few schools they thought would be a good fit for him to continue his musical career.

“I auditioned at Juilliard, Eastman, Curtis, and Glenn Gould Music School in Toronto,” William says. “With all of the preparation I did I kind of expected that acceptance to Juilliard would come in, but I didn’t know that I was one of three undergrads that got into the program and that was the shocking part.”

As expected the audition process consists of pre-screening to ensure all applicants are up to Julliard’s high professional performance standards. “For my audition, I played a piece that showed off technique and sound quality that’s what they really want to hear the sound of the trumpet when you play.”

For William getting accepted to Juilliard is really a dream come true, and this opportunity is one he can’t miss. Thanks to the crowdfunding efforts of the community, he has been able to raise enough money to cover his freshman year at the prestigious school.

Although he received some scholarship money from Juilliard, William isn’t eligible for a majority of Canadian scholarships since he’s going to a school outside the country. While he reached his goal for this year, he still has much more to raise, as the entire four-year program is expected to cost $364,000.

“The response from the community has been overwhelming, so many people have reached out to offer their support,” William shares honored to be recognized for his work.

Although he is struggling to pay his own tuition the young trumpeter already wants to help others who are struggling to find a way to pay for school. He plans to use 10% of what he’s raised so far to create a foundation to help other young artists. If he is able to cover his entire school expenses, William plans to give the remainder of what’s raised to the foundation.

His ambitions don’t stop at Juilliard. “I want to graduate from the program, and then I want to do my Masters and Ph.D., and potentially pursue a career as a soloist,” William says. “I have so many people who don’t even know me supporting me and it’s a really great feeling, I am very grateful to them all.”

William Leathers GoFundMe Page is available online and still accepting donations to help him pay his tuition costs for the next 4 years. He will be leaving for his first year on August 23rd in time to get settled for the new school year. Any additional money raised will go to a Foundation to help other young artists like William achieve their dreams. To donate to this campaign gofundme.com/williamleathers.

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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