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Culchahworks Examines Cultural Relationship Between Canada and Jamaica for BHM

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BY: ALYSSA MAHADEO 

It’s February and Black History Month events are in full swing. Every February, Canadians are invited to participate in Black History Month festivities and events that honour the legacy of black Canadians, past and present.

In keeping with tradition, there are many organizations throughout the city working to keep the history of black Canadians alive by continuing to educate the masses and showcasing the stories that many Afro Caribbean’s haven’t yet discovered about their own culture.

“Culchahworks has been around for a little under six years and we have the mandate to celebrate stories that are drawn principally from the African Canadian, Caribbean Canadian and African American cultural legacies that we feel have universal resonance,” explains Culchahworks Founder and Artistic Director Andrew Craig. 

Culchahworks Arts Collective is a Toronto-based not-for-profit arts organization, established in 2013. The name and unique spelling are drawn from the pronunciation of the word ‘culture’ in Jamaican Patois.

“We recognize that there are stories that come from the black community, from our own experience that are extraordinarily important, and extraordinarily relevant but are not likely to be told by the mainstream media,” Andrew shares.

Culchahworks recognizes that these stories are a part of the fabric of the culture of Canada and that the average person can only really name a few events from our history, and only really cover events that include the English, French and First Nations People.

“Somehow we haven’t managed to connect in our minds and through the history that we teach our children that all the various people and ethnicities races, colours and mixes that are here now didn’t just arrive yesterday and didn’t happen by accident,” Andrew says. “There are a multiplicity of stories from each of these communities and all of those stories weave together to create what Canada is now.”

In the past several years Culchahworks Arts Collective has been focusing on producing content, determining the stories they want to tell and median in which to best share it.

“Sometimes it’s a concert, sometimes it’s theatre, sometimes it’s dance, and sometimes it’s video and sometimes it can be all of the above,” Andrew explains. “Many times it depends on the story that we are trying to tell.”

Whether it be through live concert presentations, musical theatre, dance, film and television, documentary, or a combination of any of the above, Culchahworks strives to raise the bar for multimedia art presentation and community engagement in Canada, while ensuring that important figures and events from our heritage are honoured and preserved. Entertainment, education, respect, and inspiration are the essence of every Culchahworks initiative.

2019 marks the beginning of a two-year period in which Culchahworks examines the cultural relationship between Canada and Jamaica, through two distinct historical lenses. This month Culchahworks will be hosting two events, a Fish & Rum Workshop Presentation Saturday, February 16th, and the Titans of Toronto Reggae Concert Saturday, March 2nd.

The Fish and Rum Workshop is the very first look of a presentation that has to do with the illicit trade that took place between the islands of Newfoundland and Jamaica during the prohibition era when Jamaican’s began shipping empty rum barrels to Newfoundland in exchange for salted cod.

“I learned this story from a cookbook published by The Real Jerk restaurant in Toronto, that I received many years ago,” Andrew shares. “There was a page with the recipe for Cod Fritters and it tells a story that somewhere along the way someone decided that no one would notice if they sent their B grade cod. Well the Jamaican’s noticed and retaliated by sending their B grade product and what precipitated was a race to the bottom in which people started dying from tainted rum and tainted fish,” he explains.

“It wasn’t until that the people from each side realized that they had the makings of an international incident on their hands that they stopped this practice and they went back to doing what they were doing before, just as the prohibition era was coming to an end.”

Reading the story, Andrew thought it was fascinating, this was something he hadn’t known about, and he was almost certain, many others were not aware of as well. “I thought to myself somewhere there’s a deeper story in there that’s not being told.” He reached out to historians to learn more, and he learned so much more, that it prompted him to write a play.

On February 16th Culchahworks will be hosting a stage reading workshop presentation so the public can have a first listen as to what this can become, and then hopefully bring the full production to the stage in February of next year. “This is a chance to try out these words in front of an audience, get some feedback to see what works and see what doesn’t, which is why it’s free to the public with complimentary food and refreshments.”

Their second event on March 2nd, the Titans of Toronto Reggae Concert as with many of their events isn’t just another Reggae Concert. The Titans of Toronto Reggae Concert is the centerpiece, their latest project documenting the history of the Eglington West Community in Toronto.

“Everybody knows by now that the City of Toronto is building this new subway line, and while it’s a sign of progress, people are only now starting to talk about the disruptive nature it will have on the Caribbean community who either run their businesses or reside in the Eglington West neighborhood,” Andrew explains. “People don’t own the properties they occupy, the property value is going to rise and people will be forced out of the neighborhood and eventually the city altogether.”

The Eglington West Project is working to document the neighborhood as it stands and intends to bring attention to the situation in the hope that it helps the residents and the businesses there to have some agency in determining the future of the neighborhood while also documenting the birthplace of the Toronto reggae sound because that’s where it began.

“The centerpiece of this project is the concert where we have brought as many of the significant actors from the 60s-70s Toronto Reggae scene together for a one night only, one show only experience. These are people who are international superstars and the sound they have created was born in the Eglinton West Neighborhood making their contributions to his project even more meaningful.”

The Culchahworks Arts Collective is about finding and telling stories in innovative ways that engage audiences and educate the young people to know what they’re about.

“It’s important to showcase the artists, but it’s even more important to make sure that our stories are being told. In the last couple of years, we have really started to hone in our focus on Canadian stories, we recognize the importance of all the work we have done before and we are very proud of it, but we feel like there are so many untold Canadian stories that we need to change our focus and we need to really push the educational side of what we do.”

“We are very deliberately didactic, we want people to come out and say ‘you know I loved that show and I never knew…or I can’t believe I didn’t know…’ and if we’ve managed to do all of that then we’ve done our job because eventually, these things become a part of the larger narrative, we now deliberately create all of our content so that we can turn it into educational material which over the course of the next couple of years will find their way into the school system.” Andrew shares.

To register for the Fish & Rum Workshop Presentation visit Ticket Gateway to save your spot and you can purchase your advanced tickets to the Titans of Reggae concert on Eventbrite.

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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