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Exploring Jamaica’s rich theatrical history; how this company plans to showcase a small island on an international stage

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BY JANIECE CAMPBELL

Jamaica, a land everyone loves. Often viewed as ‘the’ ideal tropical vacation destination, the island is a tourism and cultural hub of the Caribbean best known across the globe for being the birthplace of ska and reggae music, world-class sprinters, ganja culture, and beautiful sandy beaches. Though the little island is definitely a breathtaking getaway, there’s more than meets the eye when it comes to Jamaica.

What many people fail to realize is that the nation possesses a rich theatrical legacy with encouragingly analytical approaches to decolonization, language reclamation, community development and nation-building. A narrative that’s often quite under looked or universally unheard of, a close-knit group are on route to expanding that one-track minded tale that the world is too familiar with.

Akiba Abaka Arts is a U.S. based international theatre production company consisting of an international team of professional actors, directors, designers and producers. Together, they create plays, concerts and discourse centered on narratives from the global black world, while also touring the places they are representing.

“When we formed Akiba Abaka Arts, we wanted to humanize the experience of black people in the world. We wanted to put out dignified narratives of who we were and how we show up in the world that doesn’t show us defaulting to other races and cultures. We are dignified human beings with very diverse stories. There is no one black story. There is no one black experience,” says Akiba Abaka, the founder and artistic director of the company. “We don’t only develop and produce plays; we build pipelines and relationships and pathways for creatives within the black world to connect with the rest of the world.”

The latest project coming out of Akiba Abaka Arts is a free dynamic series of weekly discussions with Jamaica’s leading theatre artists and professionals entitled “10 Weeks in Jamaica: Theatre Conversations from Jamaica to the World!” Each week, the series sets to explore a different theme based on the history of Jamaican theatre and contemporary narratives presented on the Jamaican stage. The talk show was created as a direct result of the pandemic and travel restrictions.

“10 Weeks in Jamaica was a pivot because of COVID. We were supposed to be in Jamaica, but it was a pivot online to immerse ourselves in the Jamaican theatre community and engage in what those stories were. At first, we thought we would enter into it by breaking it down into who were the legends, playwrights and actors. As we looked at that type of narrative arc, we saw that it was limiting, because as a team we realized that it wasn’t telling us actual stories. It would only tell us who these people were, a biographical narrative,” says Akiba.

She continues.

“We wanted to really home in on the stories of the Jamaican people represented in theatre. We wanted to understand how these practitioners approached representing the narratives of Jamaican people. And we thought that if we entered from a journalistic approach rather than a biographical approach, we would have more engaging and objective content.”

The highly produced and carefully curated show is far from your average video conference call. The first few weeks of the series featured legendary Jamaican theatre extraordinaries such as Fae Ellington, Oliver ‘King of Comedy’ Samuels, Keith ‘Shebada’ Ramsay and countless others. Originally premiering on November 5, 2020, the series will run every Sunday through January 3, 2021.

A major part of Akiba Abaka Arts that sets them apart from other theatre production companies is their engagement into the communities that they choose to work in, an immersive process that they refer to as the Multiple Port System.

“The Multiple Port System develops plays in areas that were either once a slave port or practiced slavery. It’s our process of creating work about black cultures globally. We center that inquiry into the stories of black cultures on the people who are descendants of the transatlantic slave trade. We felt that starting there, we would explore multiple questions around what happened to these people and where they are in the world now. And that means on both sides, not only the African descendants. We want to know who the descendants of the traders are as well,” says Akiba. “What that means is that when we’re putting on a play, we’re working in the area that the play originates in. We’re presenting plays from cultures all over the world. We don’t want to work in isolation in a rehearsal hall. We want to be embedded in the community.”

Once borders begin to open again to travellers, Akiba Abaka Arts plans to return to the island to work on a new play, Bar Girl of Jamaica by Robert Johnson Jr. The play is set to premiere in 2022.

You can catch next Sunday’s episode of 10 Weeks in Jamaica at 4 p.m. EST on www.howlround.com or on the Akiba Abaka Arts Youtube. This episode will feature dancehall professor Orville Hall, artistic director of the National Dance Theatre Company Marlon Simms and dancer-choreographer Neila Ebanks!

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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