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Developmental Disturbance – Kids’ brains were truly affected by the pandemic, but there is still time to steer them back on course

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BY SIMONE J. SMITH

“We’re in a crisis, I don’t know what to do, because we not only have an effect of a pandemic, but it’s a significant one.” Morgan Firestein, a Postdoctoral Researcher at Columbia University

The start of a new school year. It’s a time filled with excitement, hope, and the promise of new beginnings. You watch your child, with their backpack slung over their shoulder, shoes laced up, ready to take on the world. For them, it’s just the start of a big adventure—their first day of kindergarten.

As you stand there, beaming with pride, there’s something lingering in the back of your mind, something you can’t shake. You see, your child was born during the pandemic—when the world was quieter, slower, and uncertain, and now, as they step into this new world of school, you can’t help but notice… something’s not quite right

They are bright. They are curious. They are more resilient than you could ever have imagined, but there are moments—small things—that you see. The way they struggle with words that seem to come easily to others. The way certain sounds, or textures upset them in ways you can’t understand. You don’t know what it is, but you can tell that things aren’t unfolding the way you expected, and that’s hard. It’s hard because you don’t have answers. It’s hard because no one seems to have answers.

Babies born in 2020 started life in the strange world of lockdowns amongst people with faces hidden behind masks. Social experiences, such as seeing extended family, trips to the playground, or mother and baby groups, could not happen. Although children have generally fared well with the pandemic, there is preliminary research suggesting that pandemic-related stress during pregnancy could be negatively affecting fetal brain development in some children.

Unfortunately, parents and carers were interacting differently, or less with their young children in ways that have affected their child’s physical and mental abilities. Lockdowns isolated many young families, robbing them of playtime and social interactions, and there are hints of a more subtle and insidious trend followed close behind.

Dani Dumitriu and her team at the New York Presbyterian Morgan Stanley Children’s Hospital in New York City had over two years of data on infant development starting in late 2017.  They had been analyzing the communication and motor skills of babies up to six months old. Dumitriu thought it would be interesting to compare the results from babies born before and during the pandemic. She asked her colleague Morgan Firestein, a postdoctoral researcher at Columbia University in New York City, to assess whether there were neurodevelopmental differences between the two groups.

A few days later, Morgan called Dani in a panic and with some very disturbing news. “We’re in a crisis, I don’t know what to do, because we not only have an effect of a pandemic, but it’s a significant one,” She had been up most of that night, pouring over the data. The infants born during the pandemic scored lower, on average, on tests of gross motor, fine motor and communication skills compared with those born before it (both groups were assessed by their parents using an established questionnaire). There seemed to be something about the environment of the pandemic itself.

Until now, research assessing the impact of COVID-19 school closures on young children’s development has been limited by the lack of detailed, individual-level data. The prenatal and postnatal growth epochs are critical periods for infant and child development to the extent that: adverse, traumatic, and stressful experiences during these periods produce programming effects on brain, development, and psychopathological risk.

Studies tracking individuals conceived, in utero, infancy and early childhood during pandemics, natural disasters, and famines (e.g., the 1918/19 influenza pandemic, the 1959-61 Chinese famine) demonstrate that those exposed can suffer life-long negative consequences. In the early years, when children’s developing brains are more sensitive to a lack of responsive environments the immediate negative impacts of closing programs that provide some early simulations (such as childcare) were further amplified by diminished future learning which also leads to more pronounced inequalities later on.

Research teams looking into these issues around the world are starting to publish their findings. Firm answers are hard to come by, not least because many child-development research laboratories shut down during the pandemic.

There is recent research that supports the idea that lack of peer interactions could possibly be holding some kids back. In a study published earlier this year, researchers in the United Kingdom surveyed 189 parents of children between the ages of eight months and three years, asking whether their children received daycare, or attended preschool during the pandemic, and assessing language and executive functioning skills. The authors found that the children’s skills were stronger if they had received group care during the pandemic, and that these benefits were more pronounced among children from lower-income backgrounds.

Those most at risk seem to be children of colour, or those from low-income families. For instance, a growing body of research suggests that among school-aged children, remote learning might be widening the already-large learning and development gaps between children from affluent and low-income backgrounds and between White kids and children of colour.

In parts of sub-Saharan Africa including Ethiopia, Kenya, Liberia, Tanzania and Uganda research suggests that some children have lost as much as a full year of learning. In the United States, after the first lockdown, a report by the consultancy firm McKinsey suggested that students of colour began school in autumn three to five months behind in learning, whereas White students were only one to three months behind.

I want to note at this point in the article that research to date has been mixed regarding the effects of the pandemic on early language development. Indeed, one can imagine various plausible mechanisms by which the pandemic may have facilitated, or limited language development.

Research findings provide initial estimates of the short-term effects. More specifically, they report developmental losses in children assessed at the end of 2020 relative to children assessed with the same instruments and identical procedures in 2017. The areas of child development evaluated included: general development, language, social-emotional behavior, and executive function. The results indicate that the boys and girls assessed in 2020 earned lower average scores than their 2017 counterparts in three of these areas. Social isolation, mask wearing, job loss, and other ecological shifts that occurred during the pandemic may have changed the home language environment in important ways with potential implications for infant language development.

Mask‐wearing and social isolation may have hampered the extent to which children could pick up on language inputs in their environment, and pandemic‐related stress may have reduced the quantity, and quality of parent‐child interactions. As a parent, you know how stressful that time was, and increased perceived stress has been linked with the provision of less sensitive parent‐child interaction. Greater parenting stress, perceived stress, and psychological appraisals of stress have each been associated with lower scores on measures of early language development. Some other studies, however, have found no relation between perceived stress and language development.

Some empirical work has found support for the cumulative exposure theory. One cross‐sectional survey suggested that experiencing a single stressful life event due to the pandemic was a risk factor for poorer mental health. Another study of low‐income families found that caregivers who experienced both pandemic‐related job and income loss reported significantly higher depressive symptoms and life stress. This aligns with pre‐pandemic research reporting that negative life events predict higher levels of maternal depression and anxiety.

While declines in maternal mental health are concerning in their own right, an abundance of research has also linked maternal mental health with infant language and behavior. Specifically: maternal depression, anxiety, and perceived stress have each been associated with poorer socioemotional and language outcomes in the first years of life.

Maternal mental health and perceived stress symptoms may shape infant development through impacts on the home language environment and parent‐child interaction, critical factors for scaffolding infant language, and socioemotional development. For example, depressed mothers tend to use less infant‐directed speech and engage in fewer conversational turns with infants, which in turn are associated with a smaller vocabulary size at 18 months. Depressed mothers also tend to demonstrate more withdrawn and intrusive parenting behaviors, which are associated with: greater behavior problems, lower social competence, and lower language skills in offspring.

“Even if kids’ brains are truly being affected by the pandemic, there is still time to steer them back on course,” Dani Dumitriu notes. “We can totally get ahead of this becoming a public-health emergency,” she says. “The brains of six-month-olds are very plastic, and we can get in there, and we can change their trajectory.”

Parents can make headway by playing and talking with their young children regularly and giving them opportunities to play with others in safe settings. Policy changes aimed at supporting families and children could make a difference, too. Overall, researchers maintain that most children will probably be OK — but more than usual might currently be struggling.

If we want to support those who are falling behind, we should ideally intervene soon. Children are certainly very resilient, but at the same time, we also recognize the importance of the first 1,000 days of a child’s life as being the crucial early foundations. The more that we can stimulate them and play with them and read to them and love them — that’s what it’s going to take.

REFERENCES:

https://www.econstor.eu/bitstream/10419/263395/1/dp15179.pdf

https://www.cambridge.org/core/services/aop-cambridge-core/content/view/588F60E1CA0114F701B7A02D13A83F94/S0954579423000093a.pdf/in_the_pandemic_from_the_womb_prenatal_exposure_maternal_psychological_stress_and_mental_health_in_association_with_infant_negative_affect_at_6_months_of_life.pdf

https://www.mondino.it/wp-content/uploads/2022/01/20220113_NATURE_p180-183-1-1.pdf

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9874599/

‘They’re About Two Years Behind’: Fears for Children Born During Lockdown as They Start at School + More

We, as humans are guaranteed certain things in life: stressors, taxes, bills and death are the first thoughts that pop to mind. It is not uncommon that many people find a hard time dealing with these daily life stressors, and at times will find themselves losing control over their lives. Simone Jennifer Smith’s great passion is using the gifts that have been given to her, to help educate her clients on how to live meaningful lives. The Hear to Help Team consists of powerfully motivated individuals, who like Simone, see that there is a need in this world; a need for real connection. As the founder and Director of Hear 2 Help, Simone leads a team that goes out into the community day to day, servicing families with their educational, legal and mental health needs.Her dedication shows in her Toronto Caribbean newspaper articles, and in her role as a host on the TCN TV Network.

Community News

Don’t Forget About Us

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BY GLORIA O’KOYE

Scavengers fly in circles

Sky high on top of landfills.

Filled with babies and humans that took

Their stories during transition,

Their voices fade like the tides crashing

Into the shorelines, chipping away rocks

And sands little by little.

 

When news spread

The people chant.

A hot topic that social media trends

And call for action is at its peak

Making their demands.

However sudden sparks will eventually

Fade as intentions shift away

By ego and instigating seeds,

Planting its roots deep into inexperienced

Minds through trial and error

 

With not many mentors to teach.

What started as good will be consume

With pride and internal arguments arise,

Like hives overturning their rulers once

The phenomenon runs dry.

Power struggles distract goals,

Distracting as enemies patiently wait

To regain grounds that were lost.

 

Please,

As movements continue to move on

And momentums slowing down

With numbers rise and fall.

Don’t forget the voices that sparked

The passion that push to answer those

Calls.

 

Don’t forget the people, communities,

The cries,

For they will never stop.

These inner conflicts amongst groups

Need to stop,

Stop putting good works on pause

Because leadership is in chaos.

 

Never forget about us.

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University of Toronto Art Museum unveils Camille Turner’s “Otherworld” Exhibition, Exploring Canada’s ties to the transatlantic slave trade

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Camille Turner, film still of Afronautic Research Lab: Newfoundland, 2019. 06:19

BY RUSHANE FERRON

The Art Museum at the University of Toronto is hosting “Otherworld,” the first major institutional solo exhibition in Canada by acclaimed artist Camille Turner. Running from September 4th, 2024, to March 22nd, 2025, at the University of Toronto Art Centre, the exhibition features a powerful collection of recent works, including new commissions that delve into Canada’s role in the transatlantic slave trade and its enduring repercussions.

Camille Turner’s work challenges us to rethink our understanding of history and to use our imagination to envision worlds otherwise,” said Barbara Fischer, curator and executive director of the Art Museum. “Otherworld is a call to contemplate, to grieve, and to dream new futures into being.” Fischer highlighted that the extended exhibition period, which now aligns with the academic calendar, will foster deeper engagement through enhanced programming, encouraging multiple visits for ongoing reflection.

Turner’s exhibition draws deeply on her personal journey and the ancestral connections that inform her work. “When I started this journey, I really felt guided by my ancestors,” Turner shared. Reflecting on her experiences at significant historical sites, including the Door of No Return in Senegal, she described a profound connection: “I felt like I was seeing my ancestors around me and felt like I was there by no accident. I was there to tell a story.”

Central to Turner’s exploration is the ocean, symbolizing the painful history of the transatlantic slave trade. She recounted standing at Cape Spear, the easternmost point of North America, and gazing across the ocean towards Gorée Island in West Africa, where the Door of No Return stands. “These two places are communicating with each other,” she said. “I am standing here looking across the ocean. This is a transatlantic story, and I am the vehicle for this story.”

Turner urges emerging artists to look inward and uncover the stories within them. “I didn’t seek out this story, the story sought me,” she emphasized. She shared plans for a significant project in Jamaica, drawing on her father’s memories of growing up on a plantation where descendants of enslaved people were still living, yet without owning the land. “My father remembers walking past thee cow pastures with all their worldly possessions on their heads. This is a story connected to slavery and my family.”

Through “Otherworld,” Turner hopes that visitors will confront the pervasive legacy of slavery, which she describes as “Woven into everything,” and essential to reckon with. “It’s important to not just sweep it under the rug and walk away as if nothing happened,” she stressed.

The exhibition’s title, “Otherworld,” is inspired by Turner’s afronautic research methodology, a blend of: Afrofuturism, critical storytelling, and Black radical imagination. This approach immerses audiences in a non-linear journey that transcends conventional space-time boundaries, addressing historical gaps and silences. Turner’s work aims to make visible the erasure of Black experiences, while providing a space to imagine more equitable futures.

Highlights of the exhibition include two newly commissioned films, “Maria” and “Fly,” named after 18th-century ships built in Newfoundland and used in the slave trade, symbolizing the haunting connections between Canada’s maritime history and the transatlantic slave trade. Additional installations, “Portals” and “Pods for Dreaming,” explore the lingering effects of colonial violence and offer spaces for reflection and respite.

Public programming will also feature the Afronautic Research Lab, an ongoing counter archive that invites visitors to participate in research on Black history. Turner’s multidisciplinary practice spans: performance, photography, and installation, digital, and sonic media, often in collaboration with other artists.

Born in Kingston, Jamaica, and now living between Los Angeles and Costa Rica, Turner is renowned for her transformative exploration of Black history in the Canadian context. “Otherworld” continues the Art Museum’s legacy of showcasing artists who challenge dominant narratives. Past exhibitions have included Deanna Bowen’s “God of Gods: A Canadian Play,” Kent Monkman’s “Shame and Prejudice: A Story of Resilience,” and Alanis Obomsawin’s “The Children Have to Hear Another Story.”

“Otherworld” offers a profound exploration of Canada’s complex and often overlooked historical narratives, inviting visitors to engage with the past and envision alternative futures.

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Jamaica, Jamaica! The Brampton community invites the city to celebrate Jamaica Day Festival 2024

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Photo Credit: Roy Virtue

BY PAUL JUNOR

The 32nd Jamaica Day Family, Food and Music Festival celebrated on Saturday, August 24th and Sunday, August 25th, 2024, did not disappoint the thousands of fans who came out. It was held at the Brampton Sports Park located at 7575 Kennedy Rd, near the intersection of Kennedy Rd and Steeles Ave, just north of Derry Road.

Cornel Davis and Hewitt Loague, festival directors who represent the non-profit Sunrise Talent Program have been busy over the last few months preparing for this annual festival. Since 1991, this festival has been a staple in the Greater Toronto Area and has since evolved from its early location on Eglinton Avenue near Jane Street and Eglinton Avenue.

On Tuesday, August 13th, 2024, the organizers of Jamaica Day held a press conference at Brampton City Hall where details about the event were released to the public. The event commenced with an introduction by Sharon Campbell, who has been active for many years as a supporter and promoter of the festival. She was followed by Rod Power, City Councilor of Brampton who mentioned the importance of the partnership between Experience Brampton and Jamaica Day. This is even more significant considering that Brampton has a large African-Canadian population, especially of Jamaican background who have been involved in other events such as: Jambana on Monday, August 5th and the Canada Day celebration held at Chinguacousy Park.

Festival Directors David and Loague mentioned important details about the genesis of the festival. They traced its beginnings as a medium to promote positive aspects of the Jamaican culture to youth who were not aware of these uplifting and enriching features. Loague emphasized that the festival focuses on positive aspects of Jamaican music to counteract the negative aspects that were being promoted in the 1980’s. It has now become an inclusive event that attracts a diverse crowd from a variety of backgrounds.

On Saturday. August 24th, the featured artist was the iconic and legendary international reggae artist Sanchez, back by popular demand. On Sunday, August 25th, the Manhattans featuring: Gerald Albright, Mikey Spice and Papa Michigan headlined the day.

There were many aspects of both days that featured inspiring, enriching and motivating things about Jamaica’s culture, history and music. There were cultural displays that featured traditional dances, folk tales and art exhibitions. In addition, there was an art and craft market which showcased many handmade crafts, jewelry and artworks produced by gifted and positive Jamaican artisans. There were many special souvenirs that patrons were able to take home that reflected the ingenuity, authenticity and positivity of all that Jamaican represents. The savory sensual delights and smell of Jamaican cuisine permeated the scene where food trucks served: jerk chicken, patties, ackee and saltfish as well as many other authentic dishes.

The young people in the audience participated in activities such as: face painting, workshops, crafts and storytelling, and interactive games. Adults had a chance to have fun as well and engaged in the popular game of domino tournament as well as in a talent contest.

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