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A Night at My House! Proudly presenting National Jazz Award Winners the Brownman Electryc Trio

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BY SIMONE J. SMITH

This is incredible. I could feel the music in my bones. This place had such a cool vibe. I could already feel the energy. I arrived at the perfect time. I had got just enough time to grab a drink before the show started. The lights were dim, and the crowd cheered as the band took the stage. The band started playing a slow, soulful tune. The music built gradually, layering complex rhythms with rich melodies. The music suddenly shifted into an upbeat, energetic groove. The way they blended the traditional jazz elements with electronic sounds… It was like nothing I had ever heard! This is why I love live music! You can’t replicate this feeling!

It was Thursday, August 15th, 2024, and the Toronto Caribbean Newspaper had been invited to My House (located at 2882 Dundas St W, Toronto, ON, M6P 1Y8) where they were proudly presenting National Jazz Award winners for “electric jazz group of the year”, the Brownman Electryc Trio, up from Brooklyn, NY and on tour in Ontario in August, and whom NPR (National Public Radio) in New York City has called “the new standard in electric-jazz”. I was here to enjoy a night of modern funkified jazz in the vintage majesty that is My House!

Imagine a charming venue that feels like a welcoming home, filled with a cozy ambiance that immediately puts guests at ease. The space is designed with an intimate, homely touch, featuring plush couches strategically placed around the room for comfortable seating and conversation. Soft, flickering candles are scattered throughout, casting a warm, gentle glow that dances on the walls, enhancing the venue’s serene and calming atmosphere.

There were long dinner tables, elegantly set with: fine china, glassware, and tasteful centerpieces, stretched across the room, inviting guests to gather for shared meals and engaging conversations. The lighting is subdued, with dim, overhead fixtures and soft, accent lighting that adds depth and warmth to the space. The overall atmosphere was both relaxed and sophisticated, making it a perfect setting for a night of electric jazz. So, who was I here to see?

Making a full-time living as a performing professional musician isn’t easy. Making a living as a musician in a niche genre like jazz can be even harder and making a living in jazz as a West Indian in a “small” market like Canada that is spread out over a massive land mass is just about the hardest of all. This is what makes Brownman Ali — a multi-award-winning Trinidadian-born: trumpeter, bandleader and composer — such a special case worthy of examination.

He has been awarded the: 2007: National Jazz Award “Electric Jazz Group of the Year”, 2011: Trinidad High Commission citation: “Distinguished National”, 2013, 2015, 2016: 3x Toronto Independent Music Award winner, 2014: International Independent Music Award winner, 2019: International Songwriting Competition finalist, 2023: International Songwriting Competition winner, and was a 2024: JUNO Award nominee

He has triumphantly forged a successful career in a field filled with obstacles and done it in an uncompromising fashion. He has done so by staying true to his vision of propagating his own brand of: funkified, exploratory modern jazz that amazingly builds novel entertainment from the seemingly antithetical building blocks of complex compositional, rhythmic, and improvisational structures.

His music is informed heavily by an urban music aesthetic— encompassing everything from hip hop and r&b to house, jungle and dubstep—which he readily acknowledges has often placed him outside jazz’s more polite and inoffensive mainstream. That of course is quite normal for Caribbean people. We are always adding our dash of spice to everything that we do.

For fans of jazz, the stylistic primogenitors of the Electryc Trio are easy to discern. First and foremost is the music of Miles Davis, especially from the period that began with the 1969 albums “In a Silent Way” and “Bitches Brew.” On Bitches Brew, Miles Davis took jazz music and altered its acoustic traditions towards the electrified and amplified sounds of contemporary funk and rock music. This included “electrifying” his horn through the use of various effects.

I was proud to be witnessing Brownman (born “Nick Ali”) and his Electryc Trio on a night in live performance. His performance is evidence of why this group has become such a crowd-pleasing draw over the last few years. Brownman’s preference for playing in smaller ensembles has dominated, and his talents as an improviser have grown stronger. The ensemble includes: Brownman Ali (electric trumpet and compositions), Josh Cohen (6-string electric bass), and Adam Mansfield (drums).

The combination of the three players is a sound that often seems greater than the sum of its parts. “I can’t believe there’s only three of them up there” is a comment frequently heard at BET shows. They achieve that illusion through sheer musicianship on the one hand, and clever use of electronic effects on the other. There is definitely a chemistry the trio has that can only be called astounding.

This is what live music was all about on August 15th—pure connection. You can hear them on Spotify: www.Spotify.Browntasauras.com

We, as humans are guaranteed certain things in life: stressors, taxes, bills and death are the first thoughts that pop to mind. It is not uncommon that many people find a hard time dealing with these daily life stressors, and at times will find themselves losing control over their lives. Simone Jennifer Smith’s great passion is using the gifts that have been given to her, to help educate her clients on how to live meaningful lives. The Hear to Help Team consists of powerfully motivated individuals, who like Simone, see that there is a need in this world; a need for real connection. As the founder and Director of Hear 2 Help, Simone leads a team that goes out into the community day to day, servicing families with their educational, legal and mental health needs.Her dedication shows in her Toronto Caribbean newspaper articles, and in her role as a host on the TCN TV Network.

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The future holds challenges for what governments expectations are vs our privacy and personal protection

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BY STEVEN KASZAB

I am an: amateur Zoologist, nature lover, and Canadian. I encourage all Canadians to learn about, explore, and get involved with the incredible gifts that Canada’s wilderness has to offer.

Researchers of all things natural, wildlife and climate have been applying different technologies using artificial intelligence as controls, scribes and collectors of information for the last decade. Implanting tracers upon wildlife has been difficult in the past, as to keeping records given by these trackers, correlating and tallying for understandable information. This has changed with major implications to the human species as well. Extremely small trackers can be placed upon wildlife and last year’s allowing researchers the ability to: find, follow, and track these species in real time and over a number of years becoming fully familiar with them. Cameras are now so small that animals cannot spot them and destroy them as they have been doing.

A.I. has advanced so far as to predicting an animal’s: daily routine, its health, habits, and possible time of death. This information is applied to the present and future management of multiple: waterfowl, birds, reptiles and other species. The advancement of technology is being applied also to the tracking of people, used by intelligence agencies, police and governmental sectors worldwide.

This should concern you. Cameras everywhere intended to catch speeders on our roadways, shoplifters in our retail environments, those who enter corporate, or government lobbies are all under camera inspection. While London may be the city with the most cameras per population density parameters, your local has cameras everywhere taking a picture of you and your passengers, those who go with you to restaurants, shops and the theater as well. Eyes are upon you at all times until you get home, right? Well, there are certain appliances, electrical devices that monitor you also, some legal, some illegally. Not to mention the multiple cameras in your neighborhood positioned near and away from a neighbour’s home towards the street level. Much of this technology is scanned by humans, but imagine when all technology is controlled and scanned for summary decisions by A.I.?

Driving on a local road going to get some milk at the corner store. A.I. cameras keep an eye upon you, collecting data as well as the possibility of cashing in on: some costly tickets for speeding, not stopping at stop lights, strange behavior while driving, driving too close to buses especially near schools. There presently are cameras in use that can do all the mentioned services and more. In my community there are four speed cameras. Information on the type of cameras and their capabilities is not known to the public.

Also, there are camera’s out there hidden from view intended in not only slowing down traffic but keeping an eye upon the public. Local governments see these cameras as sources of revenue, but also intelligence gathering policing devices enabling them to fight crimes such as: breaking and entering, drug traffic operations, prostitution, and protection of governmental staff and property.

A.I. is becoming a great help in the managing and protection of wildlife, while it presents itself as a possible threat to our personal and business privacy. The future holds challenges to the boundaries of what governments expectations are vs our privacy and personal protection. Cheaters, criminals, those who attempt to hide themselves and their actions beware. Big Brother has its eyes on you!

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Toronto once again shows the world that fashion lives here! African Fashion Week Toronto 2024

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BY SYDNEE WALCOTT

While Black-owned business brands have always been around, the number of Black-owned businesses started seeing a higher increase in the late 2010s, and there’s no sign of slowing down anytime soon.

The High Fashion Designer Showcases and the AFWT (African Fashion Week Toronto) Runway Show was the place to be on August 23rd, 2024. The fashion show saw Sankofa Square (formerly Yonge and Dundas Square) convert into a runway, where models strutted, wearing clothing designed by talented local Black designers.

African Fashion Week Toronto (AFWT) is a not-for-profit initiative started in 2012 by Isaac Ansah to provide a platform for Black models, designers and creatives to succeed in the fashion industry.

During the daytime, the first part of the fashion show presented just the models strutting down the runway. As daytime transitioned into nighttime, the second half turned into a Rip The Runway-style, consisting of models walking down the runway while a singing or dancing performance took place.

With the event all about highlighting the designs of crafted Black designers, here’s a list of the brands featured in this year’s fashion show:

Remmy Tee: Remmy Tee’s brand specializes in high-quality scarves designed from 100 percent mulberry silk, known for being more: progressing, smoother, lighter and more durable, unlike other types. The scarves are also natural, breathable, and supple on the skin.

House of Filyfing: The vision of Rabiya Tou’s brand is to celebrate the power of appearance. For women, looks can be a key to unlocking opportunities where only impressions matter. The brand worships the essence of being a woman and the impact of female empowerment through formal and semi-formal clothing with an African touch.

Mia Swim Wear: Although Fall is around the corner, summer is still in full swing with the Mia Swim Wear brand. Designed by Mia Swim Wear, the summer-themed brand has the perfect blend of sophisticated swimwear and summer clothing for both women and men.

Kurve Kouture: Kurve Kouture is a Nigerian-based clothing brand for curvy women who are proud of their figures and enjoy flaunting their curves. The formal pieces empower curvy women to wear stylish and sophisticated clothing, allowing their natural confidence to shine.

Omomamae Koncept and Clothing (OMK): Omomamae Koncept and Clothing (OMK) is an established premier fashion brand by Adesanmi Oluwagbnega. The unisex fashion brand sells clothing for every occasion: elegant suits, casual wear, traditional attire and contemporary pieces. Since its establishment in 2008, OMK captured widespread recognition in numerous fashion shows and earned countless awards for its designs.

Ambition: Created by the founder of the African Fashion Week Toronto initiative, Isaac Ansah, Ambition is a newly-founded brand created to represent: inspiration, success and growth. The clothing brand specializes in comforting everyday loungewear with a stylish touch.

NUYU by Stacey: Although Stacey-Ann Vassell’s line designs clothing for women and children of all shapes and sizes, the children’s line is the most captivating. The brand, which stands for Never Underestimate Your Uniqueness, sells luxurious casual and semi-formal clothing, allowing women and children to stay stylish no matter how simple the design is.

QueenFecy: Queen Fecy, a Nigerian-born fashion designer, has a fashion brand that represents more than just fashion alone. Her formal fashion brand, QueenFecy, speaks for her work as a public speaker, philanthropist, and advocate for empowering Black people and youth through all aspects.

The runway show wasn’t all to look forward to that day. In between showcases, acclaimed singers of Black heritage performed a medley of their hits throughout the show. The roster of artists the audience got to be entertained by included: B’Kem, Cobby Kai, Sophia, DT the Artist, and Silla.

The event’s official presenter, Shark Beauty, did a giveaway where audience members could go home with a Shark Beauty product. All they had to do was compete in a series of challenges.

Toronto once again shows the world that fashion lives here!

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Black-led, Black-focused, and Black-serving community agencies projected to increase their capacity to deliver services in Peel

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BY PAUL JUNOR

It was an historic and significant day at the City of Brampton City Hall on Sunday, August 10th, 2024, when the Region of Peel launched its first B3 Fund.

It was over four years ago in June 2020 that Peel Region’s Council approved Resolution 2020-1448. This resolution affirms its commitment to address systemic discrimination by supporting policies, equitable funding, and programs that address the inequities faced by the Black community and other organized groups in Peel. This resulted in the formation of the Community Investment Program, which received formal support from the: Diversity, Equity and Anti-Racism Committee as well as the Regional Council in 2023.

The subsequent development of the B3 Funding Framework was intended to respond to Council’s recommendation to ensure Black-led and Black-led serving social service agencies in Peel are funded equitably through regional funding mechanisms. This funding framework for: Black-led, Black-focused, and Black-serving (B3) community agencies was projected to increase their capacity to deliver services in Peel. Some of the accomplishments of the Community Investment program include:

  • Development of an action plan in 2020 to use an equity lens to support thinking and discussion around equity within the CIP granting streams.
  • Realignment of $1.3 million to the long-term and medium-term priorities of the COVID-19 pandemic to address racial and systemic discrimination. In 2020 and 2021, 35% and 37% of successful applicants for the Capacity and Change Fund were Black-led, Black-focused and Black-serving.
  • Development and implementation of a new Service Provider Profile Section within GooGrants-Peel Region’s online grant management platform in 2023 to collect key equity information.

There were several aspects to the plan which includes the following:

  • B3 Advisory Board Creation
  • B3 Funding Framework Development
  • B3 Funding Implementation

The B3 Advisory Board is a community based social service agencies which consist of regional staff and others who have worked together to affect the following:

  • Inform, educate, consult, and c-design the development of the B3 Funding Framework
  • Ensure the: interests, perspectives, and needs of Black communities in Peel are reflected throughout the c-development process. There was a crude cross section of stakeholders including those from the 2LGBTQIA + food services.

Councillor Martin Reid states, “This was a long time coming. It’s just great to see so much thought put into supporting these grassroots organizations, which often don’t have formal non-profit status. This is an opportunity to not only support those organizations, but also to coach them along the way.”

Councilor Reid is supportive of the work that Juliet Jackson, Peel Region’s Director of Culture & Inclusion is doing to ensure that these funding programs are available. In a released statement, she states, “The B3 Fund responds to historical funding disparities from all levels of government. We are proud to provide the necessary resources and support to foster measurable change within our community.”

Dogma Koy, Founder of Restoration and Empowerment for Social Transition Centre (REST) described the importance of the funding. She states, “REST Centres is excited about the 2024 B3 Fund. As Black youth continue to represent the largest youth population facing housing insecurity in Peel, this fund represents a crucial opportunity to bolster our core operation, allowing us to further our mission of supporting Black youth with greater effectiveness.” She elaborates further, “The potential impact of this funding will significantly strengthen our ability to deliver essential services and drive meaningful change in our community. We eagerly anticipate the transformative possibilities this support will bring.”

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