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Sounds & Pressure: Reggae in a Foreign Land; Showcasing the musical contributions of Jamaicans in Canada

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BY SIMONE J. SMITH

Migration. Cultural Legacy. Influence. Perseverance.

In my line of work, I have an opportunity to experience the very best that Toronto has to offer, and on Thursday August 22nd, 2024, Toronto Caribbean Newspaper was invited to a special screening of Sounds & Pressure: Reggae in a Foreign Land, at Paradise Theatre.

It all started with two individuals who met at a record fair back in mid-2010. They instantly realized they shared a love for reggae music and its preservation. One of them was a Jamaican/Canadian, coming from a family who have long been involved as musicians in Jamaica. For him, it was important to showcase the musical contributions of Jamaicans, especially in a city and country that tends to easily forget the role of racialized communities. For the other individual, it soon became clear that he had a desire to learn more about reggae music, the artists, and their life stories. He soon found out that there were legends whose stories had not been documented

Graeme Mathieson is a Jamaican Canadian filmmaker based in Toronto. Made in collaboration with Chris Flanagan, their film about ska and reggae legend Stranger Cole, “RUFF & TUFF,” premiered at Hot Docs. Beyond directing, Graeme is recognized as DJ Gramera, a title earned through his 15-year tenure hosting StolenSouls on CHRY 105.5 FM. He is currently in production on “PLAY IT LOUD! How Toronto Got Soul,” a feature documentary on the career of singer Jay Douglas.

Chris Flanagan is a Toronto-based installation artist and documentary filmmaker who creates work about music, magic and obsessive subcultures. His feature, Shella Record: A Reggae Mystery,” premiered at Hot Docs 2019, played at festivals around the world, and aired on Television Jamaica and CBC. In addition to exhibiting in galleries across continents, Chris is a DJ and runs Shella Records, a label dedicated to showcasing vintage reggae recordings in partnership with the original artists.

Now let’s get back to why I was at Paradise Theatre, and why I have introduced Chris and Graeme. Jamaican culture is synonymous with Toronto, from the vernacular to the food (the patty arguably being Toronto’s unofficial snack) to popular music, yet we rarely celebrate those who sparked this influence.

At the height of the golden age of reggae, some of Jamaica’s brightest stars left their homeland to relocate to Toronto. Now their stories and the musical community they helped build are celebrated in Graeme Mathieson and Chris Flanagan’s captivating National Film Board of Canada (NFB) anthology series Sounds & Pressure: Reggae in a Foreign Land, premiering August 23rd,  on nfb.ca and the NFB’s streaming platform for smart TVs.

Through: rare archives, electrifying needle drops, and lively interviews, this five-part series takes viewers from Kingston to Kensington Market. I had a chance to see and hear how reggae made roots in Canada. The series chronicled the musical and geographical journeys of: Nana McLean, Johnny Osbourne, Leroy Sibbles, Jerry Brown and the duo of Roy Panton and Yvonne Harrison.

During the discussion after the premier, Chris and Graeme admit that narrowing the subjects to just five was a challenge, because there are so many important Jamaican icons who came to Canada. The six subjects that were selected are some of the most relevant to the foundation of Jamaican popular music and its roots in Toronto. They adroitly highlight different aspects of the music, including: a label owner and producer, female artists, ska and reggae singers.

All of the subjects were extremely dynamic, and they each represented something different while facing similar barriers and challenges to success. Though this is a celebratory series, it’s also an indictment of a music industry that refused to support the talent of Caribbean artists (a couple of the biggest ones returned to Jamaica) and a reminder not to repeat the same mistakes in the present day.

Getting their sound to catch on in Canada wasn’t easy. These innovators of rhythm and rhyme had to work against: racism, scarce resources, and an industry that stigmatized reggae music. That didn’t stop them from transforming the city into a reggae mecca. With a powerful message of love and a revolutionary spirit behind them, these visionaries faced the pressure head on—and thanks to them, you can still feel the infectious beats of Bathurst Street and Eglinton Avenue reverberating all over the world.

I want to take a moment to introduce some of these history makers:

Roy & Yvonne

Roy Panton and Yvonne Harrison made history as one of the first Jamaican ska duos. Decades after going their separate ways, the pair rekindle their magic—this time, 3,000 kilometers north, in Scarborough, Ontario.

Nana McLean

Against the changing face of Toronto’s Little Jamaica, where she established some of the city’s landmark reggae record stores, singer Nana McLean challenges outdated stereotypes and establishes her reputation as the queen of reggae in Canada.

Johnny Osbourne

Before gaining international recognition as the “Dancehall Godfather,” legendary singer Johnny Osbourne was at the forefront of a revolution that transformed Toronto into one of the most vibrant reggae communities in the world.

Leroy Sibbles

In Trench Town—the birthplace of reggae—Leroy Sibbles rose to stardom as the lead singer of The Heptones and the undisputed king of the reggae bassline. Then, at the height of his career, he left it all behind to create a new legacy for himself in Toronto.

Summer Records

Jerry Brown’s Summer Records was one of the first recording studios to give Canadian reggae artists a voice. Four decades later, never-before-seen footage lets us meet the man behind the mixer for the very first time.

“It’s important to give these legends their flowers now while they are here to enjoy them,” shares Chris. “The majority of these artists are still performing, and hopefully these films will expose them to a wider Canadian and international audience.”

Graeme left us with this thought. “With the Jamaican and Caribbean communities at risk of being gentrified and erased in Toronto, it is more important than ever to make sure their stories don’t disappear. I hope our series will raise awareness about the rich Jamaican contributions to our musical and cultural landscape.”

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The future holds challenges for what governments expectations are vs our privacy and personal protection

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BY STEVEN KASZAB

I am an: amateur Zoologist, nature lover, and Canadian. I encourage all Canadians to learn about, explore, and get involved with the incredible gifts that Canada’s wilderness has to offer.

Researchers of all things natural, wildlife and climate have been applying different technologies using artificial intelligence as controls, scribes and collectors of information for the last decade. Implanting tracers upon wildlife has been difficult in the past, as to keeping records given by these trackers, correlating and tallying for understandable information. This has changed with major implications to the human species as well. Extremely small trackers can be placed upon wildlife and last year’s allowing researchers the ability to: find, follow, and track these species in real time and over a number of years becoming fully familiar with them. Cameras are now so small that animals cannot spot them and destroy them as they have been doing.

A.I. has advanced so far as to predicting an animal’s: daily routine, its health, habits, and possible time of death. This information is applied to the present and future management of multiple: waterfowl, birds, reptiles and other species. The advancement of technology is being applied also to the tracking of people, used by intelligence agencies, police and governmental sectors worldwide.

This should concern you. Cameras everywhere intended to catch speeders on our roadways, shoplifters in our retail environments, those who enter corporate, or government lobbies are all under camera inspection. While London may be the city with the most cameras per population density parameters, your local has cameras everywhere taking a picture of you and your passengers, those who go with you to restaurants, shops and the theater as well. Eyes are upon you at all times until you get home, right? Well, there are certain appliances, electrical devices that monitor you also, some legal, some illegally. Not to mention the multiple cameras in your neighborhood positioned near and away from a neighbour’s home towards the street level. Much of this technology is scanned by humans, but imagine when all technology is controlled and scanned for summary decisions by A.I.?

Driving on a local road going to get some milk at the corner store. A.I. cameras keep an eye upon you, collecting data as well as the possibility of cashing in on: some costly tickets for speeding, not stopping at stop lights, strange behavior while driving, driving too close to buses especially near schools. There presently are cameras in use that can do all the mentioned services and more. In my community there are four speed cameras. Information on the type of cameras and their capabilities is not known to the public.

Also, there are camera’s out there hidden from view intended in not only slowing down traffic but keeping an eye upon the public. Local governments see these cameras as sources of revenue, but also intelligence gathering policing devices enabling them to fight crimes such as: breaking and entering, drug traffic operations, prostitution, and protection of governmental staff and property.

A.I. is becoming a great help in the managing and protection of wildlife, while it presents itself as a possible threat to our personal and business privacy. The future holds challenges to the boundaries of what governments expectations are vs our privacy and personal protection. Cheaters, criminals, those who attempt to hide themselves and their actions beware. Big Brother has its eyes on you!

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Toronto once again shows the world that fashion lives here! African Fashion Week Toronto 2024

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BY SYDNEE WALCOTT

While Black-owned business brands have always been around, the number of Black-owned businesses started seeing a higher increase in the late 2010s, and there’s no sign of slowing down anytime soon.

The High Fashion Designer Showcases and the AFWT (African Fashion Week Toronto) Runway Show was the place to be on August 23rd, 2024. The fashion show saw Sankofa Square (formerly Yonge and Dundas Square) convert into a runway, where models strutted, wearing clothing designed by talented local Black designers.

African Fashion Week Toronto (AFWT) is a not-for-profit initiative started in 2012 by Isaac Ansah to provide a platform for Black models, designers and creatives to succeed in the fashion industry.

During the daytime, the first part of the fashion show presented just the models strutting down the runway. As daytime transitioned into nighttime, the second half turned into a Rip The Runway-style, consisting of models walking down the runway while a singing or dancing performance took place.

With the event all about highlighting the designs of crafted Black designers, here’s a list of the brands featured in this year’s fashion show:

Remmy Tee: Remmy Tee’s brand specializes in high-quality scarves designed from 100 percent mulberry silk, known for being more: progressing, smoother, lighter and more durable, unlike other types. The scarves are also natural, breathable, and supple on the skin.

House of Filyfing: The vision of Rabiya Tou’s brand is to celebrate the power of appearance. For women, looks can be a key to unlocking opportunities where only impressions matter. The brand worships the essence of being a woman and the impact of female empowerment through formal and semi-formal clothing with an African touch.

Mia Swim Wear: Although Fall is around the corner, summer is still in full swing with the Mia Swim Wear brand. Designed by Mia Swim Wear, the summer-themed brand has the perfect blend of sophisticated swimwear and summer clothing for both women and men.

Kurve Kouture: Kurve Kouture is a Nigerian-based clothing brand for curvy women who are proud of their figures and enjoy flaunting their curves. The formal pieces empower curvy women to wear stylish and sophisticated clothing, allowing their natural confidence to shine.

Omomamae Koncept and Clothing (OMK): Omomamae Koncept and Clothing (OMK) is an established premier fashion brand by Adesanmi Oluwagbnega. The unisex fashion brand sells clothing for every occasion: elegant suits, casual wear, traditional attire and contemporary pieces. Since its establishment in 2008, OMK captured widespread recognition in numerous fashion shows and earned countless awards for its designs.

Ambition: Created by the founder of the African Fashion Week Toronto initiative, Isaac Ansah, Ambition is a newly-founded brand created to represent: inspiration, success and growth. The clothing brand specializes in comforting everyday loungewear with a stylish touch.

NUYU by Stacey: Although Stacey-Ann Vassell’s line designs clothing for women and children of all shapes and sizes, the children’s line is the most captivating. The brand, which stands for Never Underestimate Your Uniqueness, sells luxurious casual and semi-formal clothing, allowing women and children to stay stylish no matter how simple the design is.

QueenFecy: Queen Fecy, a Nigerian-born fashion designer, has a fashion brand that represents more than just fashion alone. Her formal fashion brand, QueenFecy, speaks for her work as a public speaker, philanthropist, and advocate for empowering Black people and youth through all aspects.

The runway show wasn’t all to look forward to that day. In between showcases, acclaimed singers of Black heritage performed a medley of their hits throughout the show. The roster of artists the audience got to be entertained by included: B’Kem, Cobby Kai, Sophia, DT the Artist, and Silla.

The event’s official presenter, Shark Beauty, did a giveaway where audience members could go home with a Shark Beauty product. All they had to do was compete in a series of challenges.

Toronto once again shows the world that fashion lives here!

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Black-led, Black-focused, and Black-serving community agencies projected to increase their capacity to deliver services in Peel

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BY PAUL JUNOR

It was an historic and significant day at the City of Brampton City Hall on Sunday, August 10th, 2024, when the Region of Peel launched its first B3 Fund.

It was over four years ago in June 2020 that Peel Region’s Council approved Resolution 2020-1448. This resolution affirms its commitment to address systemic discrimination by supporting policies, equitable funding, and programs that address the inequities faced by the Black community and other organized groups in Peel. This resulted in the formation of the Community Investment Program, which received formal support from the: Diversity, Equity and Anti-Racism Committee as well as the Regional Council in 2023.

The subsequent development of the B3 Funding Framework was intended to respond to Council’s recommendation to ensure Black-led and Black-led serving social service agencies in Peel are funded equitably through regional funding mechanisms. This funding framework for: Black-led, Black-focused, and Black-serving (B3) community agencies was projected to increase their capacity to deliver services in Peel. Some of the accomplishments of the Community Investment program include:

  • Development of an action plan in 2020 to use an equity lens to support thinking and discussion around equity within the CIP granting streams.
  • Realignment of $1.3 million to the long-term and medium-term priorities of the COVID-19 pandemic to address racial and systemic discrimination. In 2020 and 2021, 35% and 37% of successful applicants for the Capacity and Change Fund were Black-led, Black-focused and Black-serving.
  • Development and implementation of a new Service Provider Profile Section within GooGrants-Peel Region’s online grant management platform in 2023 to collect key equity information.

There were several aspects to the plan which includes the following:

  • B3 Advisory Board Creation
  • B3 Funding Framework Development
  • B3 Funding Implementation

The B3 Advisory Board is a community based social service agencies which consist of regional staff and others who have worked together to affect the following:

  • Inform, educate, consult, and c-design the development of the B3 Funding Framework
  • Ensure the: interests, perspectives, and needs of Black communities in Peel are reflected throughout the c-development process. There was a crude cross section of stakeholders including those from the 2LGBTQIA + food services.

Councillor Martin Reid states, “This was a long time coming. It’s just great to see so much thought put into supporting these grassroots organizations, which often don’t have formal non-profit status. This is an opportunity to not only support those organizations, but also to coach them along the way.”

Councilor Reid is supportive of the work that Juliet Jackson, Peel Region’s Director of Culture & Inclusion is doing to ensure that these funding programs are available. In a released statement, she states, “The B3 Fund responds to historical funding disparities from all levels of government. We are proud to provide the necessary resources and support to foster measurable change within our community.”

Dogma Koy, Founder of Restoration and Empowerment for Social Transition Centre (REST) described the importance of the funding. She states, “REST Centres is excited about the 2024 B3 Fund. As Black youth continue to represent the largest youth population facing housing insecurity in Peel, this fund represents a crucial opportunity to bolster our core operation, allowing us to further our mission of supporting Black youth with greater effectiveness.” She elaborates further, “The potential impact of this funding will significantly strengthen our ability to deliver essential services and drive meaningful change in our community. We eagerly anticipate the transformative possibilities this support will bring.”

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