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The Half Decent: Conveying Powerful messages through the Medium of Spray Paint

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Photo Credit: Mania Contemporary Arts

BY SIMONE J. SMITH

“You have a responsibility as an artist to be a good person.”

“I was sitting in my studio, and I was painting, and the number seven flashed in my mind. I started wondering, why seven? So I messaged my friend Suzie, and told her that I need to use the number seven for my upcoming exhibition. It was April 7th, 7:45…”

There’s something magical about stepping into a world crafted by the imagination of another. It’s more than just seeing. It’s feeling. It’s breathing in creativity.

I had to take a deep breath, my eyes widening at the sight before me. The walls are adorned with vibrant paintings, each one more intricate than the last, each telling its own story. Every spray can, every colour, a testament to the artist’s passion, but it wad not just the art that captivated me.

I noticed the details in the planning, how the lighting perfectly highlighted each piece, casting dramatic shadows and illuminating the smallest details. This was not just an exhibit. This was an experience, a journey through another’s soul…

Here I was again, making my way downtown to another event. With the summer fast approaching, my emails were filling up, and when this one came in, it caught my eye.

“Join us for the exclusive unveiling of “THE CHARIOT” by Toronto-based multimedia artist THE HALF DECENT. Interact with art lovers, industry professionals, and other creatives at an immersive art exhibition you’ll never forget.  MAY 10, 2024, 7:00pm – 11:00pm  , 214 Avenue Road, Toronto, ON, M5R 2J4,” the email read.

I was instantly artistically aroused, and for good reason. Discovering the work of Mattais (aka, The Half Decent) has revolutionized my understanding and appreciation for creatives who wield the spray can with the same fluidity and mastery as a writer types on a keyboard, or a photographer frames a shot. This artist, whose name resonates with a clandestine allure, transforms urban spaces into vibrant canvases, infusing them with layers of meaning and emotion.

His art, while fully legal, exudes an aura of the forbidden. There’s a sense of raw, unfiltered truth in his pieces, as if the walls themselves are whispering secrets that society often prefers to ignore. His murals are not just visually striking; they are profound commentaries on the human condition, specifically addressing the often overlooked topic of male mental health.

Through bold colors, intricate designs, and poignant symbolism, he sheds light on the internal battles that many men face—struggles with: identity, emotions, and societal expectations. His goal is clear: to spark conversations and bring awareness to the mental health challenges that men endure, often in silence. Each piece is a narrative, a plea for understanding and empathy, urging viewers to look beyond the surface and recognize the depth of these issues.

Of course I wanted to learn even more about this creative genius, so I set up an interview, and he graciously let me into the world of The Half Decent.

“The whole show is about mental health, more specifically men’s mental health,” Mattais tells me. “I have dealt with mental health and depression, and mental health issues run in my family, especially with the men in my family.”

“It is one of the reasons that I choose to use the colour pink for this collection. Pink is feminine colour. The paintings were about embracing what is seen as feminine; emotions. Men usually associate emotions with female energy.”

I was intrigued with his creative process, so I asked him to share a little more about how the images move from his head, onto a canvas.

“I didn’t just want to make pictures,  I wanted people to feel; depending on who looks at it, the feeling will change. It is about impact. It is such a trippy feeling to think; I have these images in my head, I put them on the canvas, and people show up to see my work. They don’t just show up, they actually have feedback, and it is usually very positive.”

“What drew you to using spray paint as your medium of expression,” I quieried?

“When I was young, my dad used to draw birds all the time. It was always the same bird. Something about that stuck with me. Most people are artist at heart; we grow up, and sometimes are artist element gets pushed away. This was the case with me. For a long time, my artistic side was pushed aside. I started spray painting, and this kept my artistic side alive. The more I did, the more art I wanted to do. I very quickly started tattooing.”

“What made you choose spray paint as your artistic tool of choice?”

“I am an impatient person, and spray painting is very quick. It is difficult to get small details with spray paint. It is a crazy challenge to get detail. My canvases are practice for what I want to do in the future, which is murals.”

What challenges have you encountered while working with spray paint?

“There is always division between graffiti and street art. When you are in the subculture, graffiti is about a feeling. It is the feeling of painting illegally. I am creating art with spray paint, so sometimes the challenge is within myself. I am doing more legal things, and sometimes I crave going back to illegal graffiti. It is way more respected than doing a legal wall. In some way it is like Gorilla marketing. You have to get more eyes on it. I find ways to continually challenge myself. Can I render the image that I have in my head? what else can I achieve with this medium?”

“How do you see spray paint art evolving in the future? Are there any new techniques or technologies you’re excited to explore?”

“Evolution’s power lies in its relentless adaptability, a trait mirrored in my journey as an artist. Embracing technology, I have transformed my creative process, seamlessly integrating digital tools to enhance and expand my artistic expression. This fusion of tradition and innovation reflects the essence of evolution, propelling my art to new horizons.”

“I am a referenced base artist; I am good at looking at a reference, manipulating the piece. The only thing that matters is the end result. I use AI, and for some people that is controversial. AI is going to play a big part when it comes to the future of art. It will make it easier to convey what you are thinking.”

The Half Decent’s ability to convey such powerful messages through the medium of spray paint is nothing short of remarkable. His work transcends traditional graffiti, positioning it as a legitimate and impactful form of contemporary art. It speaks to the soul, stirring emotions and prompting reflection, much like a poignant novel, or a compelling photograph. His mastery of the spray can elevates his art to a new level, demonstrating that this tool can be as expressive and nuanced as any other in the creative arsenal.

In witnessing his creations, I’ve come to realize the profound potential of street art. It’s a medium that can: reach wide audiences, break down barriers, and provoke thought in ways that few other art forms can. His dedication to highlighting male mental health issues through such a dynamic and accessible platform is both inspiring and transformative, leaving an indelible mark on those who encounter his work.

We, as humans are guaranteed certain things in life: stressors, taxes, bills and death are the first thoughts that pop to mind. It is not uncommon that many people find a hard time dealing with these daily life stressors, and at times will find themselves losing control over their lives. Simone Jennifer Smith’s great passion is using the gifts that have been given to her, to help educate her clients on how to live meaningful lives. The Hear to Help Team consists of powerfully motivated individuals, who like Simone, see that there is a need in this world; a need for real connection. As the founder and Director of Hear 2 Help, Simone leads a team that goes out into the community day to day, servicing families with their educational, legal and mental health needs.Her dedication shows in her Toronto Caribbean newspaper articles, and in her role as a host on the TCN TV Network.

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Community News

Who Can We Trust? Why are our community organizations all being put on blast?

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BY MICHAEL THOMAS

“We want criminal charges to be pressed first of all, and that is figuring out if they will sue him to get the money back or whatever. This person was acting of their own accord, so it was not as if he was doing this on behalf of the organization. He did this for his selfish gains, so whatever the court of law says is the punishment for that, that is what we are looking for.”

Above are the words of Rose-Ann Bailey, an ex-Officio for the organization named Black Coalition for AIDS Prevention (AKA Black CAP) from the previous board.

These same sentiments are echoed by many concerned board members of Black CAP who contacted Toronto Caribbean Newspaper about the lack of accountability, bullying, and misuse of board funds by a few people on the inside whose intentions according to the other members are less than honorable. Here are some insights shared with us by these concerned members.

Like many other Black organizations today, like the Black Business and Professional Association (BBPA) and Tropicana Community Services, we too are concerned about financial transparency within the Black Coalition for AIDS Prevention; the ONLY Black-led, Black-serving and Black-focused 35-year-old organization in the country. The lack of transparency significantly undermines the accountability and integrity of the organization. We are gravely concerned about the legally required: governance, transparency, and competency of the entire board.

According to the group of concerned members, this is the group that launched the illegal takeover of Black CAP. Please read carefully as to why there are many concerns here.

The primary concerns revolve around financial transparency and governance under the previous Executive Director, Gareth Henry (currently the Interim Executive Director of the Toronto HIV/AIDS Network), and his associates: Ian McKnight, Dennis White, Denzil Buckley, Nester Tom, Tru Stewart, Hamlet Nation, Lisa Duplessis, and Tanaka Chiromobo.

According to the group of concerned members, as of June 7th, 2024, the Board of Directors led by Ian McKnight and unsecured legal advice and service from Milton Chan (unofficially secured as legal representative of Ian McKnight’s group) terminated the employment of Tina “Tee” Garnett as Interim Executive Director and replaced them with Nief Neamatt, a former staff that was terminated September 2023.

This installation of Nief Neamatt is an effort to ensure that when a new Board of Directors is put in place at the June 13th, 2024, Special Members meeting the continued independent investigation into the unapproved and documented misappropriation of over $300,000 funds donated by the LCBO and other funders in 2022/2023 cannot be continued and thus attempting to clear Mr. Gareth Henry of any criminal, or legal accountability.

The group of concerned members told Toronto Caribbean Newspaper in a statement, “Mr. Neamatt has a well-known reputation by staff to be transphobic, homophobic, misogynistic, and sexist with multiple harassment and human rights complaints against him by staff.” 

They went on to explain, “We are concerned about the physical, mental, and emotional health of all staff members, especially as they are beginning to heal under the leadership of Tee Garnett.”

Well-intentioned members are concerned that Nief Neamatt will delete all documentation that would prevent the investigation from being continued or continue to financially gouge the organization under the puppet strings of: Gareth Henry, Ian McKnight, Dennis White, Denzil Buckley, Nester Tom, Tru Stewart, Hamlet Nation, Lisa Duplessis, and Tanaka Chiromobo.

Again, according to inside sources, Mr. Neamatt has absolutely no previous experience, or competency as an Executive Director and can only rely on others to do the work.

Since October 20th, 2023, there have been many legal infractions and despite efforts to solve these issues internally, a group of six board members has consistently obstructed progress and failed to fulfill their duties. Here are some of the infractions.

  • Undeclared conflict of interests and unwilling to sign Oath of Confidentiality and Declarations of Conflict-of-Interest Board forms (Requirement as a board member).
  • Unethical behavior violation resulting in Human Rights complaints and investigations from staff based on interaction with board members.
  • On-going violation of Union and Labour relations from Board Members.
  • Demands by board members for full salary compensation for temporary replacement of the Interim Executive Director role.
  • Inability to provide a safe work environment for the over 25 staff members of the organization.
  • Blatant disregard for legal requirements has undermined the effectiveness of the Board of Directors at Black CAP.
  • Unauthorized cancellation of the investigation around the ongoing independent financial investigation of the misappropriation of financial funds by Gareth Henry.
  • Failure to meet the Enhanced Monitoring requirements set out by the Ministry of Health.

I spoke with three people from the Black Coalition for AIDS Prevention: Tee” Garnett Interim Executive Director who was forced out illegally, Rose-Ann Bailey who is an Ex-Officio for the organization from the previous board, and an employee of Black CAP who for security reasons we will call Miss X.

Tee Garnett, a seventh-generation Canadian said to me, “Black CAP is near and dear to my heart. We have been here since 1781, and so seeing the first Black organization was a very monumental time in Black history for Black Canadians.”

“I came in knowing that the board was at a divide not realizing how deep it was, so I’ve been doing a lot of Afrocentric healing work with the staff who have gone through a lot of traumas, abuse, intimidation and I have been holding that space with them and for them.”

“We spent three days,” Garnett told me. “a week ago, doing healing work as an organization, only for one week later to have a board come in, who is in direct conflict with: standards, bylaws, code of conduct and then come in with an unretained, none-black legal representative, and call me while I was on sick leave with COVID to terminate me.”

Garnett told me in her closing words, “Black CAP needs community support because it belongs to the black community.”

Next up was Miss X who told me that her experience was that there is a lack of compassion and for a while Tee Garnet brought healing to the situation.

Speaking of the removal of Tee Garnett, Miss X said, “It was a hostile takeover because they took over I.T, and how they got access to the system nobody knows.”

I asked Miss X what she would like to see in the future at Black CAP, “That conflict of interest be declared from the get-go, places of power should be reserved for people who genuinely believe in the organization, and the moment we sense that things are not right, people need to say something.”

Rose-Ann Bailey was exceptionally candid about what has been taking place at Black CAP from a fraudulent point of view.

“We have the documentation to show that there have been funds that have been e-transferred to family members as well as a number of items that have not been approved by the board and were arbitrarily sent to different individuals.”

Bailey narrates a situation in Black CAP between Gareth Henry and Ian McKnight that makes the listener wonder why these two men are not in jail. From: doctoring credit card limits without the board’s consent, e-transferring thousands of dollars into a family member’s bank account, to stonewalling proper investigations and yet both men are free.

When asked what she would like to see happen to these guys for what they have done, Bailey answered, “Some of the times as Black people, we do not want to put our business out in public, but if we don’t people will continue to misuse the funds that are publicly given to community members that need it, so the more the public knows about what’s going on, the more honest we will make these organizations.”

Bailey told me this is not Black CAP’s first brush with internal thieves, however, this time the stakes are so high and outrageous that something has to be done publicly. “We want to make sure that they know that this has to stop,” she said.

By providing the information below, this organization wants the public to see the troubling number of patients who need their care, yet some who were entrusted with patients’ funds have chosen to funnel that money to places where it does not belong.

According to the Canadian AIDS Society and Health Canada, about one in four Canadians living with HIV identify as women.

In fact, an estimated 16,880 females live with HIV (including AIDS) across the country, with 597 new diagnoses among Canadian women in 2022 alone. All women have risk factors for HIV infection, but women who belong to socially and economically marginalized populations face many interconnecting determinants of health that adversely impact their risk for HIV infection, and their experiences accessing diagnosis, care, treatment, and support. ACB women, along with: Indigenous women, trans women, women who use drugs, women who experience violence, and women who are incarcerated are at a higher systemic risk for HIV.

A question that we do have as a paper is why are our organizations all being put on blast? Was the BBPA the genesis of our community organizations losing the trust of the community? Something insidious is developing, and we have to get to the bottom of it.

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Find it hard to concentrate; It could mean your attention span is shortening

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Photo Credit: Mego-Studio

BY SIMONE J. SMITH

In today’s fast-paced world, it’s easy to get distracted. Have you ever found yourself losing focus while working or studying? You’re not alone. Do you find it hard to concentrate on a single activity for a long time? This could mean your attention span is shortening. Lately it may seem like external distractions, like noises, can easily pull you away from what you’re doing.

One clear sign of a shortening attention span is the frequent urge to check your phone, or social media. You might also find yourself losing interest quickly during meetings, or conversations. What you don’t realize or might not care about is that when your mind wanders, it can affect your ability to absorb important information.

Research indicates people’s attention spans have been shrinking over the last 20 years, and guess what is to blame? You got it; good old social media, and there is a specific type of consumption that we can blame for our shortening attention spans.

A new trend of social media consumption has arisen in recent years. In 2018, the video platform musical.ly was transformed into TikTok, a video platform where people: record, lip-sync, and share short-form videos, a type of video consumption where the attention of the user needs to be attracted in the first few seconds to keep them from scrolling towards the next video. This type of video production became increasingly popular, so that the direct traditional social media competitors like YouTube, Instagram and Facebook started to adopt this type of video consumption. It became one of the most popular video formats so much that people using social media are almost unable to miss this type of video platform

One study found that participants spent about an hour per day watching short-form videos and acknowledged their addictive nature. While immediate effects on attention span were not apparent, participants reported feeling less focused in their daily lives and recognized a connection between short-form video consumption and attention span. It is now becoming apparent that this trend of dwindling attention spans is affecting how we consume content, and I’m not just talking about social media videos — even television and film shots are getting briefer. 73% of consumers prefer to watch short-form videos to learn about a product or service, and 56% of marketers reported that short-form video was the top trend they planned to invest in in 2024.

Videos started out much longer. I can go back to videos like “Thriller” (Michael Jackson), which were seven to eight minutes long. Now, they now average about four seconds a shot length. If you watch MTV music videos, they’re much shorter; they are only a couple of seconds. The fact remains that we are becoming more accustomed to shorter bursts of content, and it’s bleeding into the kind of content we consume and what is being created.

So, why are short-form videos so popular? Science tells us that one of the crucial reasons we love short-form videos is that our attention spans are getting shorter and shorter. Turns out there are a few reasons, one of which involves a bit of psychology. Let’s get into it!

Short-form videos are videos that are less than 60 seconds in duration. However, short-form videos can be up to three minutes long. Studies found that most consumers will only watch an entire video if it’s less than 60 seconds long. Then you have apps like TikTok, YouTube Shorts, and Instagram Reels that push short-form videos to users in an infinite scroll format.

With long-form videos, marketers and creators must work extra hard to keep their audience engaged. That means strengthening the content with dynamic shots, mood-setting music, and a long but compelling script, and all that takes: more time, effort, and (most importantly) money.

Researchers have found that there has been a decrease in our attention span from 12 to 8.25 seconds in recent years. In addition to that, the concept of attention span is suddenly gaining popularity on social media, with memes portraying individuals referred to as “iPad kids” (etc.), who constantly seek entertainment through video games, and by other means. This constant exposure to short-form entertainment videos not only entertain, but also provides people the opportunity to constantly compare themselves to others, which can lead to detrimental effects if they constantly compare themselves to others who they see as “better people” than themselves.

By recognizing the signs of a shortening attention span and taking steps to address it, you can improve your productivity and overall well-being. Use techniques like the Pomodoro Technique. Work for a set period, like 25 minutes, then take a short break. This can help you maintain focus and give your brain a chance to rest. Incorporate mindfulness practices into your routine. Deep breathing, meditation, and regular breaks can help reduce stress and improve your attention span.

Individuals should be more aware of their social media usage and engage in self-regulation, while schools and policymakers can implement awareness programs and regulations on social media platforms. Additionally, providing mental health support and resources is crucial for those experiencing negative effects from excessive social media usage.

Remember, it’s about finding balance. Take care of your mind, and your mind will take care of you.

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Community News

We are facing a strike that will lead to significant disruptions at Canadian ports of entry

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Photo Credit: Wave Break Media Micro

BY SIMONE J. SMITH

As summer gears up, we are all eagerly anticipating beach days, vibrant festivals like the Toronto Caribbean Carnival, and traveling across the border to see our friends and loved ones. The excitement of sun-soaked adventures and cultural celebrations fills the air. Unfortunately, looming decisions threaten to disrupt many of our plans, potentially making crossing the border a tedious procedure.

More than 9,000 members of the Public Service Alliance of Canada working for the Canada Border Services Agency (CBSA) have secured an overwhelming strike mandate which could lead to significant disruptions to the flow of goods, services and people at Canadian ports of entry as the busy summer season approaches. Members voted 96% in favour of taking job action during strike votes held April 10th to May 23rd, 2024. The union represents more than 245,000 workers across Canada – including federal public service workers, provincial, territorial and municipal workers, as well as post-secondary education, law enforcement and public safety workers and many more.

“Taking job action is always a last resort, but this strong strike mandate underscores that our members are prepared to do what it takes to secure a fair contract,” said Chris Aylward, PSAC National President. “Unless they want a repeat of 2021, Treasury Board and CBSA must be prepared to come to the table with a fair offer that addresses our key issues.”

Job action by CBSA personnel in 2021 nearly brought commercial cross-border traffic to a standstill, causing major delays at airports and borders across the country and a marathon 36-hour bargaining session to reach an agreement.

PSAC-Customs and Immigration Union (CIU) members at CBSA: include border services officers at airports, land entry points, marine ports, and commercial ports of entry, inland enforcement officers, intelligence officers, investigators, trade officers, and non-uniformed headquarters staff.

Workers have been without a contract for over two years, yet Treasury Board and CBSA are still not prepared to negotiate an agreement that protects workers and continue to demand concessions at the bargaining table. Key issues in this round of bargaining include fair wages that are aligned with other law enforcement agencies across the country, flexible telework and remote work options, equitable retirement benefits, and stronger protections around discipline, technological change and hours of work.

“Our members’ response to this vote has been unprecedented – we extended the voting period to meet the overwhelming demand from workers,” said Mark Weber, CIU National President. “We’re sending a clear message to the employer: we’re prepared to fight for fair wages, equitable retirement and to make CBSA a better place to work.”

CBSA personnel deserve fair wages that are aligned with other law enforcement agencies across the country, and an equitable retirement regime.

These uncertainties cast a shadow over our summer dreams, reminding us of the ever-changing landscape we must navigate to enjoy the moments we’ve been looking forward to.

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