BY SIMONE J. SMITH
Humanity’s journey towards self-expression began not with the brushstroke of an artist, but with the etching of symbols onto clay tablets. Deep within the fertile crescents of the Nile and the Tigris, two civilizations – the Egyptians and the Sumerians – independently stumbled upon a revolutionary concept: writing. This wasn’t merely a tool for record-keeping, but the very foundation upon which: storytelling, poetry, and ultimately, creative writing would be built.
These early writing systems, though rudimentary, were a testament to the human spirit’s yearning for expression. Pictograms, crude depictions of objects, served as the initial building blocks, but their limitations soon became apparent. How could one represent abstract concepts like love or justice? How could the fleeting essence of a fleeting emotion be captured within the confines of a static symbol?
Human ingenuity, however, proved to be an unstoppable force. Writers began to experiment, combining pictograms to convey complex ideas, employing clever puns to represent sounds, and gradually evolving these crude symbols into a more sophisticated system of communication. This was the birth of language as we know it – a dynamic, ever-evolving tool that allowed us to transcend the limitations of time and space, to share our experiences, and to explore the depths of the human condition.
From the epic tales of Gilgamesh to the haunting beauty of Egyptian love poems, these early writings provide a glimpse into the soul of humanity. They reveal our deepest fears and our most cherished hopes, our triumphs and our tragedies. And within these ancient texts, we can trace the origins of creative writing – the art of crafting stories that resonate with the human heart, that challenge our perceptions, and that inspire us to dream.
Less than one week after Sheridan College President Janet Morrison announced the suspension of 40 programs, including the Bachelor Honours in Creative Writing & Publishing, Sheridan students have launched a letter-writing campaign, “Save CW&P,” directing students, alumni, and members of the writing community to write letters pressuring Sheridan president, provost, and board of governors to reverse this decision, and place the program under review instead of cutting it completely.
This campaign is backed by all six current and former Sheridan Writers-in-Residence, which include: award-winning authors Liz Howard, Gary Barwin, Adam Pottle, Naben Ruthnum, Kate Cayley, and Cassidy McFadzean.
The CW&P program offers the only substantial and sustained formal undergraduate-level training in publishing in Canada, with 60 students currently interning at: Big Five, mid-level independent, and small presses, cultural organizations, literary awards and foundations, non-profit organizations, and private companies. CW&P alumni are working widely across the arts and publishing sector. Considering that the 2022 Canadian Book Publishing Industry Diversity Baseline Survey reported 74.94% of publishing workers in Canada are White, programs like CW&P are vital in bringing new and diverse voices into Canadian Publishing.
The Writers-in-Residence caution that ending the CW&P program will have devastating consequences for the future of CanLit. Sheridan Reads has welcomed internationally renowned authors such as Marlon James, Vivek Shraya, and Waubgeshig Rice to its Mississauga campus to participate in lively conversations with the Sheridan community. Authors across Canada have had their work featured in the CW&P’s award-winning literary journal, The Ampersand Review, and dozens of writers in the GTA have read at the Ampersand Review reading series, instilling new life into Mississauga’s literary scene, and giving authors valuable opportunities to promote new work.
Authors such as Dennis Lee, winner of the Governor General’s Award and Order of Canada recipient, and Martha Baillie, winner of the 2024 Hilary Weston Writers’ Trust Prize for Nonfiction have contributed letters to the campaign.
Liz Howard, winner of the Griffin Poetry Prize, and finalist for the Governor General’s award, said in a statement shared by Save CW&P, “It was a great honour to serve as the program’s inaugural writer-in-residence and I saw firsthand how this program impacted the lives of students through classes led by field experts to opportunities to interact with some of the most vital writers of our time, such as Cherie Dimaline and Alicia Elliot. I urge the administration to preserve this exceptional program.”
Save CW&P also shared a statement by Mississauga author Manahil Bandukwala: “The presence of this program has transformed Mississauga’s literary scene… This is a devastating loss not only to students, but a thriving arts community in Mississauga. Students, professors, and Canadian literature will feel the impact of this loss for years to come.”
I had a chance to interview Cassidy McFadzean, a Writing Resident in the CW&P, and she shared her concerns about the decision to end the program. “I have been meeting with students all year, and the immediate shift will impact students three years from now. Students are heartbroken that after three years, it will no longer be available. Creative writing is expanding across Canada. It doesn’t make sense why they would cancel this program. Publishing is also such a big deal. Students have a chance to enter into an internship, right out of school. Why are we denying them that?”
“What are your thoughts on the rationale behind the decision to suspend the program? Do you believe these reasons are valid,” I inquired?
“The program is not breaking even, or so they say. There is a lack of transparency. It was suspended without any consultation with students. Some programs were put under review, and they could have done this with the Creative Writing & Publishing program. We have been receiving support letters from great writers across Canada. The students have launched a petition, and they have been using other social media campaigns.”
To suggest that a college should dismantle its creative writing program is not merely a setback; it is a denial of our very essence. It is an attempt to stifle the human voice, to silence the stories that make us human, and to erase the legacy of those who, millennia ago, first dared to put pen to paper and unleash the power of the written word.