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Toronto Creatives convene

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BY SELINA McCALLUM

Tons of creatives, emerging and established, from Toronto came together for two days to share their wealth of knowledge on several creative industries.

Almost all of Toronto’s most respected creatives were in one space on November 30th and December 1st for the Summit Conference presented by and hosted at Artscape Daniels Launchpad.

It was two days of talks, panels, workshops and networking opportunities for Toronto’s creative community. Attendees were able to listen to creative leaders on how to scale up, stand out and build a sustainable career in an accumulating digital world.

The speakers were incredibly diverse and from all types of industries from animation to fashion. The ones that stood out to me were the black female creatives that I was fortunate and honoured to hear speak. And of course, none other than the famous and talented Toronto director, Director X.

Heran is an artist enabler, design thinker, dot-connector and tech-culture enthusiast. While Afro-Fusion-music-makers are a core focus, she has spent the last year and a half building her brand presence by vlogging her explorations and experiments in facilitating the transcendence of African-art(ists) across physical borders through tech/digital realms.

Amoye Henry is the founder of AfroChic. Each year, Henry and her team plan the AfroChic Cultural Arts Festival, which is an annual multi-disciplinary arts festival based in Toronto. It started in 2010 as an event to bring awareness to many issues relating to African Canadian women including hair, health and politics.

The festival is considered one of Canada’s only events providing a safe platform for black Canadian performance and visual artists. Henry has worked with talent like Issa Rae, Erykah Badu, Wizkid, Jidenna, Wale and Teedra Moses.

Alexis Eke is a Toronto based illustrator and designer. Her work centers on illustrating black women in a contemporary light, combining styles and elements from traditional Japanese art and renaissance portrait paintings.

Eke spoke on how to keep your artistic integrity when working with clients and brands.

“If you are willing to change anything about your artwork in exchange for monetary value, it may hinder your development and success as an artist,” said Eke.

Eke’s work has been recognized by publications such as Afropunk, Massappeal and CBC. She has been hired by AGO, CBC, Nike Jordan, Palm Bay Spritz and Soulection. Her work was also featured this year for Nuit Blanche at Scarborough Town Centre.

The advice she has for young black girls pursuing art is to never give up.

“First, focus on perfecting your craft, and be consistent with your work. Doing these two things will definitely reap success and acknowledgement. Secondly, it’s easier said than done, but do not let the color of your skin discourage you from pursuing a creative career. Just take that leap, and let God handle the rest,” said Eke.

Samah Ali is the founder of Sisterhood Media, a production and distribution company platforming stories on community and identity, informed by intersectionality. She is also a producer and film programmer supporting organizations like Black Femme Supremacy Film Festival and Toronto International Film Festival.

Sharine Taylor is a Toronto-based writer, critic, editor, producer and director, as well as the Editor-in-Chief and Publisher of BASHY Magazine.

Her experience has made her a credible source for pop culture commentary and criticism, and a trusted voice for the latest in Jamaican music and culture. Sharine’s bylines have appeared on The FADER, BuzzFeed, Pitchfork, and many other notable publications.

Julien Christian Lutz, better known as Director X gave the closing talk on Sunday to wrap up Summit. He spoke about his years as a teenager in Toronto, going from wanting to be a graphic designer to ending up as a director, and the hustle.

“I’m making logos and spending all this time on computers and learning all these skills,” said Director X.  At the time he was 17 years old and left home. He stayed with his friend in a basement apartment.

One night he went to a poetry reading where he read lyrics he had written for a rapper his friend was making beats for. Now, he was a graphic designer and a spoken word artist.

Director X is the type of man who will not take no for an answer. His determination, passion and zest for film, music and entertainment was clear in every word he said.

“I would go to all ages clubs and find the promoter. I’d ask him who made their flyer, then say, “He sucks, I’m better,”” said Director X.

The Toronto director emphasized the importance of hustling. He got out there, he spoke to people and he asked questions.

At the age of 17 he was interning at Much Music.

“I’m putting you on to some real Toronto history right now,” he said as he told the full house about his days working as an intern.

One thing I learned is that Director X takes every opportunity whether it presents itself or not, and I admire him for that. When one person from the audience asked him about his organization, Operation Prefrontal Cortex, he used a couple minutes of the Q and A to pull up his slides on the screen behind him which explained what the Prefrontal Cortex is, why it’s important and how meditating can help reduce violence in the city.

Although the Q and A was supposed to end, he asked us if we wanted to see his short film that he made, called 7 Mothers, which was eight minutes long. While sort of receiving permission from the organizers, he was already connecting his iPad to the big screen for us to watch it.

The creator of Pyer Moss, Kerby Jean-Raymond, teamed up with Director X to make a short film about the seven women who played an influential role in his life. The cinematography and sound were beautifully done. The film made me feel like I knew the women personally and could feel their passion, spirit and love for the young boy.

The summit was a space that allowed people who could not access creative professionals before, the opportunity to meet and speak to them. The workshops and talks were incredibly helpful and insightful. I would recommend anyone who is in music, fashion, technology, film and animation to attend the summit next year.

Selina is a recent Digital Journalism and Communication, Media and Film Graduate from the University of Windsor. While in university, she served as the Arts and Culture Writer for The Lance, as well as a writer, interviewing selected individuals for Street Voices Magazine. Her passions include: creative writing, film, and photography. Over the last four months, Selina has collaborated on a documentary exploring sex trafficking and the horrific elements that harbour the untold truths of human trafficking in Windsor/Detroit. She is a: hard working, responsible and caring individual who continues to seek new challenges.

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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