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Complicated, courageous, creative. Toronto Caribbean Newspaper’s authors of the decade

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BY SIMONE J. SMITH

The world as we know it has been created by minds who have the courage to think outside the box, take a look at what already exists, originate or recreate. We are all born with the capacity to create, but there are those who are unique. Iconoclastic. Rebels. Considered leaders of their time. They influence people not necessarily with their beaming personality, but through their innate gifts and talents.

As a writer, it would be amiss for me not to recognize creatives who utilize the pen (more so the computer now) to colour outside the lines of written word. They utilize words as building blocks in their architecture. Their intention is to show the world a picture that they may have not seen before, breaking rules along the way. As a result, a new standard is set, and all writers who follow do so knowing that a precedent has been set. They write to write; not to be noticed, not to sell books, but for the pure joy of painting pictures with words.

Literature coming out of the Caribbean islands was first identified at the end of the 18th century (Britannica.com) Letters and speeches of Toussaint-Louverture showed awareness of cultural identity. It was not until the 1920s that Spanish and French Caribbean writers begin to break away from European ideals and identify themselves with their fellow West Indians, most of who were black (Britinnica.com). West African people brought to the West Indies as slaves were unable to bring their written traditions. They were not able to develop ones while in slavery (postcolonialweb.org). They learned to pass on their culture through storytelling and song. It was after World War II that the true growth was seen. Independent states like Barbados, Trinidad, and Jamaica began producing anglophone writers who focused their creative written expression on developing Caribbean awareness. Since then, there has been an explosion of work coming out of the Caribbean. Greats including Sam Selvon, Louise Bennet-Coverly, David Dabydeen, Paule Marshall, Frantz Fanon, and a list that could easily fill this page.

This article will highlight prolific writers of this decade. Individuals who in their own ways have stamped their names in literary history. I would like for you to take the time to recognize: Junot Diaz, Nalo Hopkinson, Thomas Glave, and Nadia L. Hohn (home grown talent), Toronto Caribbean Newspaper’s picks for Caribbean authors of the decade.

Junot Díaz

Born in the Dominican Republic and raised in New Jersey, Díaz is the author of the critically acclaimed Drwon; The Brief Wondrous Life of Oscar Wao, which won the 2008 Pulitzer Prize, and was the National Book Critics Circle Award winner. This is How You Lose Her became a New York Times bestseller and National Book Award finalist. This Rutgers College graduate was also the recipient of a Mac Arthur “Genius” Fellowship, PEN/Malamud Award, the Dayton Literary Peace Prize, the Guggenheim Fellowship, and the PEN/O. Henry Award.

With his success has come some controversy. Ghosts of his past have crept into his present, and he was accused of the sexual assault of a few women. He took full responsibility for his actions, and in turn shares the story of his rape at the age of eight years old, and his dismay of having an erection during the assaults. He speaks in great detail about the need to teach all men about consent and boundaries. “The Silence: The Legacy of Childhood Trauma,” was mostly written for the New Yorker, and it describes the trauma he went through, and his attempts at suicide because of what had occurred.

Nalo Hopkinson

At the age of three, she was reading Homer’s Iliad. She discovered that fantastical fiction was her favourite type of fiction. From Caribbean folklore to Ursula K. LeGuin’s science fiction and fantasy, Hopkinson realized that there was something about this genre that intrigued her. 1993 was her descent into the world of the unknown. Her books include: Brown Girl in the Ring (Warner Aspect First Novel Contest in 1997), Sister Mine was published in 2013 (young adult and middle grade fiction), and House of Whisper, the first of six DC Comics compilation of graphic novels. She won: the Los Angeles Public Library: Best of 2015 Fiction, The Conversationalist: Best Books of 2015, Open Letters Monthly, Top 2015 Best Science Fiction and Fantasy Books Read.

She now lives in Southern California and is a professor of Creative Writing at the University of California Riverside.

Thomas Glave

Jamaica-American author and LGBTQ activist Thomas Glave was born in the Bronx, and split his time between there and Kingston, Jamaica. His powerful voice has been recognized in his fiction collection, Whose Song? And Other Stories (2000), along with his essay collection, Words to Our Now: Imagination and Dissent (2005). He is also the editor of the anthology Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles (2008), the first book of its kind and a compelling contribution to queer postcolonial literatures everywhere.

Glave is the second gay African American writer to win the O. Henry Prize. In 2008, he was nominated for the Stonewall Book Award for his novel The Torturer’s Wife. Glave was also awarded the Fullbright Fellowship to Jamaica for his social justice work, and for founding the Jamaica Forum of Lesbians, All-Sexuals and Gays.

Nadia L. Hohn

I have had the honour of interviewing Toronto’s own Nadia Hohn, a young writer who shot to fame this decade. From the age of six years old, Nadia L. Hohn has been writing stories, drawing pictures and making books. This has been a powerful year for Nadia, and her achievements are momentous:

Elementary Teachers’ Federation of Ontario (ETFO) Children’s Literature Award 2015-2016

Elementary Teachers’ Federation of Ontario (ETFO) Writers’ Award  2018

SCBWI Canada East Rising Kite Award & Scholarship 2018

6 Black Canadian Writers to Watch in 2018, CBC Canada

A Different Booklist People’s Award for Contribution in Children’s Literature 2016

Helen Issobel Sissons Canadian Children’s Book Award for manuscript of Malaika’s Costume  2014

Along with being 1 of 6 Black Canadian Writers to Watch in 2018, and receiving the Canada East Rising Kite Diversity Scholarship recipient, Nadia has ended her decade with another reading delight, A Likkle Miss Lou: How Jamaican Poet Louise Bennett-Coverley Found Her Voice, nonfiction picture book about the performer, playwright, author, and Jamaican cultural ambassador, Louise Bennett-Coverley otherwise known as Miss Lou.

It was nearly impossible to narrow down the list of literary contributions coming from the Caribbean. The writers selected were highlighted for the work they have done, the strides they have taken, the courage it took to do it, and the impact that they will continue to have.

We, as humans are guaranteed certain things in life: stressors, taxes, bills and death are the first thoughts that pop to mind. It is not uncommon that many people find a hard time dealing with these daily life stressors, and at times will find themselves losing control over their lives. Simone Jennifer Smith’s great passion is using the gifts that have been given to her, to help educate her clients on how to live meaningful lives. The Hear to Help Team consists of powerfully motivated individuals, who like Simone, see that there is a need in this world; a need for real connection. As the founder and Director of Hear 2 Help, Simone leads a team that goes out into the community day to day, servicing families with their educational, legal and mental health needs.Her dedication shows in her Toronto Caribbean newspaper articles, and in her role as a host on the TCN TV Network.

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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