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AFROFESTIVITIES! – Afrofest 2018 brings another year of African Culture Celebrations to the City

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BY: ALYSSA MAHADEO

Beautiful clear blue skies stretched out over Woodbine Park this weekend and the scent of food and sounds of rhythmic drums enticed visitors from the surrounding area and across the city to join the festivities at AFROFEST 2018, a beautiful and colourful cultural celebration of Africa and her people.

AFROFEST is North America’s largest free African festival attracting 125,000 visitors to Woodbine Park, Toronto over two days. The festival celebrates beauty and diversity in food, fashion, art, crafts African music and culture, and performers.

This year marked the 30th anniversary of AFROFEST, and Music Africa of Canada has modified its program to commemorate this achievement and organizational growth. “In 2018 we will extend the duration of the festival by changing its length from 2 days to a  9 day celebration starting on June 30, 2018, with a themed event called, “Africa Celebrates Canada” AFROFEST is about inclusion, showcasing diversity, building community and uplifting Africans in the diaspora.

Toronto is a melting pot of cultures, known for its rich diversity, inclusion, and acceptance of everyone who lives here. Over the past few months, the city’s crime rates have unfortunately increased, and it has many citizens worried about the negative media impulses and the communities they reside in. Many people are questioning their safety in the city and whether or not Toronto is still a place where they can feel at home.

As we are a city in need of positive and hopeful narratives, AFROFEST draws over 125,000 visitors to Woodbine Park each year to celebrate African culture. Each year is larger than the last and many who attend have returned from the past year’s annual events.

AFROFEST is a rare opportunity to speak to the African diaspora in a space that celebrates African culture. Music Africa, the organizer for AFROFEST, is also growing, with year-long programming bringing positive stories and experiences of African culture into schools, parks, and communities.

Music Africa is a not-for-profit community-based organization that promotes African music in Toronto through its annual flagship music festival AFROFEST. Established in 1990, Music Africa is among the oldest and most respected organizations promoting African music in Canada. Through its activities and events, such as the annual Black History Month Concert Series, Music Africa is committed to enhancing appreciation and awareness of African music among Canadians and continues to strive to establish Toronto as a thriving global center for African music.

“In African culture, the “self” is not separate from the world, it is united and intermingled with the natural and social environment,” as sourced from victoriafalls-guide.net article about African culture. “It is through relations with one’s community and surroundings that an individual becomes a person of volition, whose actions and decisions affect the entire group rather than just oneself. There is an Xhosa proverb that is common to all African cultures and languages, “Umuntu ngumuntu ngabantu,” (“A person is a person through persons”).

The abundant and dynamic African culture does not only differ from one country to another but also within each country as well. Each culture of ethnic groups carries their own customs, traditions, and styles as displayed through their art, music, and oral literature. The languages of Africa are of various dialects and tongues and people practice many religions and live in numerous types of dwellings.

“The vast majority of people living in Africa are indigenous; however, people from all over the world have migrated to Africa for hundreds of years. Arabs began crossing into North Africa from the Middle East in the 7th century, A.D., bringing with them the religion of Islam. Europeans began settling in the southern portion of the continent in the mid-17th century, as did South Asians, who settled in the areas of Uganda, Kenya, Tanzania and South Africa. Over the centuries, African culture has meshed with cultures from around the world, although much of traditional African customs have remained throughout,” as cited by victoriafalls-guide.net.

Africans and the African diaspora make up a sizable community in the Greater Toronto Area. Many subdivisions in the GTA have black populations higher than the national average including Ajax (16%), Brampton (13.5%), Pickering (11.4%), Toronto (8.5%), Mississauga (6.3%), and Whitby (6.2%) (“Visible minority groups, 2006 counts, for Canada, provinces and territories”. 2.statcan.ca. 2010-10-06.)

There are over 500,000 individuals in Ontario who identify as part of the African diaspora, with a majority located within the Greater Toronto Area.

Most new Torontonians, according to research presented in 2016 by the Martin Prosperity Institute, will come from Africa and the Middle East (54%) over the coming decades.

Over Saturday and Sunday, much of the city came out to Woodbine park to enjoy the vibrant music culture, food, and artistic displays at AFROFEST. Every year AFROFEST ignites the spirit of African culture in the heart of Toronto, working to share the rich and diverse expressions of African music and culture in an inclusive, vibrant and positive community festival setting. Through AFROFEST, a diverse audience celebrates the abundant energy of African music in an effort to cultivate community spirit and enhance the understanding and appreciation of the diverse people of Africa.

The weather was perfect reminiscent of the hot temperatures and climates of Africa and the Caribbean Islands bringing the community together to enjoy everything that AFROFEST had to offer. There were many local business vendors across the park, including African clothing vendors, selling beautiful printed dashiki’s, kaftan’s and smocks, kufi’s and gele head ties. Natural body butters, lotions, and remedies were also available as well as jewellery and accessories, books and other literature as well as a myriad of food vendors selling amazing holistic and mouthwatering dishes for the public to sample a taste of African cuisine.

The 2018 edition of AFROFEST came back stronger than ever with a fully loaded festival, featuring more than 8 International headlining acts, the world record attempt to create the largest djembe drum circle, and Africa Celebrates Canada event with Zimbabwean recording artist Jah Prayzah as well as the AFROFEST post-festival event titled AFROFEST Reloaded.

“Toronto is a diverse city. Our dream is that positive portrayals of African culture like AFROFEST will be common and remarkable for both African and non-African communities in Canada.”

AFROFEST is an annual event, and each year they bring something bigger than the continent of Africa to the city of Toronto in celebration of their countries and to remind people to be proud of their unique ethnicities.

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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