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Carifestival in the City of Woodbridge/Vaughan

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BY DT THE ARTIST

Now in its 7th year, Carifestival was held at the Woodbridge Fairgrounds on August 26th and 27th. The Carivaughan Festival, birthed from the Carifestival Association as an annual fundraiser event for the future facility, the Caribbean Culture Community Center (CCCC), a vision of Founder Sandi Folkes. Originally in response to the disproportionate representation of the Caribbean community in the City of York, it has now been suggested that this CCCC will be an embodiment of the manifestation of celebrating, sharing and showcasing Caribbean cultural from the entire City of York and the GTA. In addition, the CCCC will address the many issues that plague Caribbean people targeting the children, youth, seniors, and families.

The Carivaughan Festival is just one of the many events to raise funds for the home of the Caribbean Cultural Community Center. A 30,000+ sq ft standalone building that will both facilitate and accommodate a wide range of programs, activities, events, and resources to develop, strengthen, and support children, teens, seniors and families of the Caribbean and other cultures located in the City of Vaughan

A statement from the founder reads as follows; “Attributed to all of the cultures, social, and economic diversities of this mosaic of Caribbean people, many challenges and issues are generated within these communities. Concerns affect entire communities, families and individual lives. Such as adverse decision making and criminal behavior of the youth, economic assistance, parental guidance, laws, cultural understanding, elderly care, entertainment and leisure time are just a few of the issues that arise within the Caribbean people’s life in Canada. Sometimes they are simply due to language barriers, or lack of knowledge. Even when resources are available to assist persons in need but without the awareness or information on where and how to access these resources, a person can be left isolated and with no help. Culture and language can create remarkable distinct differences from the average Canadian culture. And if officials, public servants, and community workers are adequately trained to be familiar, understand and sensitive to differences break downs in communication, support, and potential are greatly hindered and even non-existent.”

The Event started with a mini SUV pulling a trailer with speakers, which they turned into a mini J’ouvert party. Loud Soca music had the revelers dancing and jumping up, raising their Caribbean flags. The grounds were covered with vendors and food trucks selling Caribbean food, such as festivals, fried dumplings, jerk chicken, oxtail, and fish.

The entertainment started around 3:30 pm featuring acts from in and around the GTA, yours truly became the host responsible for bringing energy to the stage and introducing the acts. Some of the highlights from Saturdays show included artists like Nathan Baya who brought energy with his call and response tracks and dancing. Coco Leah sang her way into our hearts, Xentury wowed the crowd with her amazing vocals and stage presence. Gee Wunder the OG of Hip Hop in Toronto, and the CEO of Motive Music had the crowd feeling like Hip Hop music was back. Mezziah another Motive Music artist who brought energy reminiscent of a Wu Tang concert. Price Da Boss a newly signed Motive Music Artist brought out some of his original music that helped him get his start early in on his career. Solo Key had the stage bumping. Dustin Wareham aka 80’s favorite baby brought that old school, yet conscious flavor with the boom bap. AntiFrantik, 6 Deuce had the ladies going crazy with his velvety vocals. Jay Evans did a full set ranging from Caribbean to dance music, and always knows how to get the crowd up. I (DT) also performed new music off of my upcoming EP with T Major entitled “Major Moves”. The entertainment was headlined by Louie Culture “Ganga Lee”, Silkkey D, Horace Martin, and Jah Kettle.

Look out for Carifestival 2018. See you next year!

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Candace Owens threatens to sue George Floyd Family, George Floyd’s family suing Kanye West, and Balenciaga ends relationship with the rapper

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Photo Credit: Gage Skidmore/ Flickr

BY SYDNEE WALCOTT

This year rapper Kanye West has been at the centre of many controversies.

So far West had been banned from performing at the 2022 Grammy Awards, he received a one-day suspension from Instagram after making racist comments towards The Daily Show host and 2022 Grammys host Trever Noah (who had voiced concerns over the rapper’s conduct) and had continuously trolled ex-wife Kim Kardashian and her now former ex-boyfriend, comedian Pete Davidson.

The controversy does not end there as West continued to stir up more controversy this month.

The rapper recently received backlash from many celebrities after spending more than three hours making insulting comments towards different celebrities and going on an antisemitic rant while he made an appearance on a now-removed episode of Revolt TV’s Drink Champs podcast.

During the podcast, West also made misinformed comments on the death of George Floyd by claiming Floyd did not die by having former Minneapolis police officer Derek Chauvin kneel on his neck, but by a fentanyl overdose.

On October 18th, 2022, the family of George Floyd announced their plan to file a $250 million lawsuit against West, his business partners, and associates for the comments he made on Floyd’s death.

Roxie Washington, the mother of Floyd’s only daughter, filed the lawsuit and will be suing for harassment, defamation, misappropriation, and inflicting emotional distress.

Lawyers representing the family also issued a cease and desist letter to West for his comments and said they were a “Repugnant attempt to discount George Floyd’s life and to profit from his inhumane death.”

While fentanyl was found in Floyd’s system, a toxicology report did not identify it to be part of his cause of death.

Chauvin, who was found guilty of violating Floyd’s civil rights and has been convicted of murder and manslaughter in Floyd’s death, is currently serving a 21-year federal sentence and a 22 1/2-year state sentence, which will be served concurrently.

Due to all the controversy that has been surrounding Kanye West in recent months, people and organizations have been urging companies who have worked with West to sever their business ties with him.

As of Friday, October 21st, 2022, one of those companies recently decided to part ways with the rapper.

The French luxury fashion house Balenciaga became the first company to sever ties with West after the rapper made a series of anti-Semitic comments and misinformation on the death of George Floyd.

According to a statement sent to the Women’s Wear Daily, Kering, the parent company to Balenciaga, provided a statement them with a short statement saying:

“Balenciaga has no longer any relationship nor any plans for future projects relating to the artist.”

West has had a long history with the luxury brand due to the close relationship he had with the luxury fashion house’s creative director, Demna Gvasalia.

Balenciaga has since removed the rapper’s look from his runway debut at Paris Fashion Week and a section featuring the Yeezy Gap Engineered by Balenziaga collaboration from their website.

While Balenciaga severed their ties with West, the Anti-Defamation League, Campaign Against Anti-Semitism and many celebrities are calling for Adidas to also end their partnership with the rapper.

Adidas, who has been collaborating with West since the release of his Yeezy brand in 2015, currently have their business partnership with the rapper ‘under review.’

Amid all of his most recent controversies, it seems as if Kanye West has an ally who has recently come to his defence.

Candace Owens came to the defence of her friend as she has threatened to sue the family of George Floyd in response to the lawsuit they filed against West after the rapper claimed it was a drug overdose that contributed to Floyd’s death and not police brutality.

According to Mediate, Owens based Floyd’s family in a recent podcast of her show after it was announced that his family will be suing West over the comments he made on Floyd’s death.

“I’m also sick of frivolous lawsuits. You know, if this is actually considered credible – if you sue somebody because you’re feeling ‘emotionally distressed’ because of them going out and saying things – well then I think that I have grounds to sue George Floyd’s estate,” said Owens during her podcast episode.

Owens said she is considering seeking lawyers’ advice to file a complaint against Floyd’s family.

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Denyse Thomasos Paintings garners the first major retrospective at the AGO

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Photo by Sydnee Walcott

BY SYDNEE WALCOTT

For those who love to learn about history and contemporary issues through artwork, the Art Gallery of Ontario (AGO) is giving people the opportunity to explore these topics through paintings and photographs at an exhibit they have available for a limited time.

From October 5th, 2022 until February 20th, 2023, the AGO will hold its first major retrospective of paintings created by late painter, Denyse Thomasos.

The exhibit, known as “Denyse Thomasos: Just Beyond,” is set to feature more than 70 paintings and works on paper from almost 40 years ago alongside archived photographs, sketches, interviews, and documentary footage of Thomasos at work.

The day before the exhibit was open to the public, members of the media had the chance to get a view of the exhibit through a press preview curated by: Renée van der Avoird, Assistant Curator, Canadian Art, AGO; Sally Frater, Curator of Contemporary Art, Art Gallery of Guelph and Michelle Jacques, Head of Exhibitions and Collections/ Chief Curator.

The first piece of work viewers will notice as soon as they enter the exhibit will be a large-scale photograph of the artist working on a piece called Hybrid Nations.

In 2005, while the AGO was undergoing a major renovation, contemporary artists were invited to the gallery to create site-specific wall works. Thomasos created a massive mural that contained a mixture rendition of a computer-generated panopticon, a building designed to have consistent surveillance of occupants from one authoritative point without the occupants knowing if and when they were being watched or not.

The piece also included hand-painted details of structures and rigid cells that delegate into curved forms that surrounded the computer-generated panopticon.

Thomasos hoped this piece would remind viewers there is a connection between the present-day prison industrial complex and the transatlantic slave trade.

The exhibition will also include some of Thomasos’ earlier work from when she was a graduate student who started as a figurative painter.

In an untitled self-portrait, created when Thomamsos was an undergraduate student at the University of Toronto, Renée van der Avoird, one of the exhibit’s curators, describes how the artist portrays herself as a very strong and serious artist.

The painting features Thomasos sitting on a chair with brushes and paint underneath the chair.

“It’s really an opportunity, 10 years after passing to look at the impact of her work,” said Sally Frator, one of the guest curators. Frater describes the exhibit as a celebration of her work and the sheer brilliance of her artistry practice.

Two things Frater looks forward to when the public has the opportunity to look at Thomasos’ work is the interest in hearing the reactions of people who are encountering her work for the first time and hearing the experiences of people who knew Thomasos through work and through those who have maintained a friendship with her and seeing all of her work being featured in the AGO.

“I think it is entirely fitting that this retrospective is opening in Toronto,” said Frater who shares how Toronto has been formative to Thomasos’ development as an artist.

After the exhibit concludes in Winter 2023, it will make a few more stops at the Remai Modern in Saskatoon in Spring 2023, and at the Vancouver Art Gallery.

Thomasos, who was born in Trinidad and Tobago and raised in Toronto, received her BA in painting and art history from the University of Toronto in 1987, attended the Skowhegan School of Painting & and Sculpture in 1988, and enrolled at Yale University where she would receive her MFA in painting and sculpture in 1989.

That same year, Thomasos would have her first solo exhibition at the Alpha Gallery in Boston.

Thomasos’ was at the height of her career with major museum shows, gallery representation in New York and Toronto, and achieving many prominent awards when she passed away in 2012.

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Vybz Kartel and Stefflon Don Release New Music; Popcaan earns First Canadian Platinum Certification, and possible collaboration between Popcaan and Post Malone in the works

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Photo Credit: Joseph Okpako

BY SYDNEE WALCOTT

Jamaican artists, Vybz Kartel and Stefflon Don, paired together again on their newly released dancehall single, “Amazing.”

Amazing, which was released last Friday, marks the second time the two artists have collaborated together, after both were featured on late rapper XXXTENTACION”S track, Royalty.

The single is also one of many songs of the dancehall producer Dunw3ll’s PlayStation Riddim, which featured the most streamed songs by Jamaican artists.

Other songs featured on this riddim include: “Day 2 Day” by Sean Paul, “Bye Bye” by Shenseea, “BFF” by Govanna featuring Romeo Nelson and “Please Yuh Girl” by Moyann Montique.

Dunw3ll is also credited for Vybz Cartel’s 2016 hit, Fever, which received a Gold Certification Plaque from the Recording Industry Association of America (RIAA) in 2020.

There’s more great news for Jamaican artists. Even though Popcorn has a collection of plaques, this plaque he recently earned is special as this is his first Canadian platinum certification for his featured single, “I Know There’s Gonna Be (Good Times).”

Music Canada issued the Platinum Single certification on September 14th, 2022 after selling more than 80,000 units in combined digital and physical sales and on-demand audio streaming in the country.

The single had also been certified silver in the United Kingdom by the British Phonographic Industry (BPI) after selling 200,000 units and was certified gold in March of last year in the United States by the Recording Industry Association of America (RIAA) after seeing more than 500,000 units.

The song, which was by English producer/DJ Jamie XX and also features American rapper Young Thug, is the third single from Jamie xx’s 2015 debut album, “In Colour.”

More great news for Popcaan is a collaboration between the dancehall artist and rapper Post Malone, which is apparently in the works.

Post Malone’s manager, Dre London, who is currently promoting his tequila brand Don Londre’s broke the news of the collaboration and hopes for more collaborations in the future.

Since Popcaan’s rise to fame, the dancehall artist has been part of a long list of international collaborations with artists such as: Pusha T, Busta Rhymes, Chaka Khan, Megan Thee Stallion, Maroon 5, Wiz Khalifa, Snoop Lion, Drake and countless others.

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