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Clash of the Titans; A Night of Reggae Royalty

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BY: SIMONE JENNIFER SMITH 

It is not a coincidence that Saturday, March 2nd, 2019, was declared Titans of Reggae Day; it was also the day that hundreds of reggae fans from across the GTA filled the Opera House in downtown Toronto, to celebrate the journey of one of the most popular genres of music in the world; Reggae. Rooted in the Eglinton West neighbourhood, the Toronto reggae scene blossomed in the 1970s after a wave of Jamaican immigrants made their home here in Toronto, Ontario, Canada. Saturday night was a commemoration of great artists, representing the past, present, and future of reggae.

Titans of Reggae was an incredibly orchestrated event put on by Andrew Craig, Founder and Artistic Director of Culchahworks. Andrew Craig is a multi-instrumentalist, vocalist, producer, director, composer, and broadcaster who has had the great fortune to work in multiple musical genres and has collaborated with artists in a cornucopia of disciplines. His collaborations include working with artists Molly Johnson and Wynton Marsalis, and his considerable reputation as a Musical Director ties him to productions including Harbourfront’s tribute to Quincy Jones, two performances for Nelson Mandela at the Rogers Centre, and music compositions for OMNI Television.

Andrew established Culchahworks in 2013, which is a Toronto-based, not-for-profit organization mandated to celebrate stories drawn from the African- Canadian, Caribbean-Canadian and African-American experience. The Culchahworks team has successfully managed to engage the community through live concert presentations, musical theatre, dance, film, and television documentaries, all the while preserving and honoring African culture and heritage. Members of the Culchahworks team include: Chair, Francesca Accinelli, a woman with in-depth knowledge and passion about Canadian television and film, the beautiful Sandra Whiting, a renowned speaker who has found a way to convey important messages using the art of storytelling, and finally, Joy Bullen who has given back to her community by helping organizations achieve their goals through a combination of fundraising, project management, strategic planning, and relationship building.

With such a power-packed team, it was no wonder that Saturday night turned out to be such a momentous occasion. The concert captured audiences of all ages, race, and culture with dynamic and entertaining artists. One extremely helpful element of the night was the mini video introductions that allowed the artists to share their experiences in the industry and provided perspective for the lovers of the reggae music scene. The rest of this article will highlight some of the artists and their innumerable accomplishments.

 

Wilburn Theodore Cole AKA STRANGER COLE
Jamaican Ska and Reggae legend Stranger Cole migrated to Toronto in the early 1970s and went on to establish the first Caribbean business in Kensington Market.

JAY DOUGLAS
His over 45 years of entertainment was evident on Saturday as he combined American Blues, West Indian Rhythms, Jazz, some fancy footwork, and an incredible on-stage charisma that is usually reserved for a man half his age. Jay has performed around the world, and at annual Toronto events including the Beaches Jazz Festival, Jerk Fest, Canadian National Exhibition, Yonge and Dundas Square, and the Taste of Lawrence.

WILLI WILLIAMS
Born 1953, in Saint Ann Parish, Jamaica, Willi Williams is a Jamaican Reggae and Dub musician and producer. He received the nickname the Armagideon Man, after his hit, “Armagideon Time,” which was first recorded in 1977 at the infamous Studio One in Kingston.

JASON WILSON
When we talk about reggae crossing cultural, and racial lines, we have to talk about Jason Wilson who is a: two-time Juno-Award nominee, Canadian Reggae Music Award Winner, four-time Reggae Music Achievement Award nominee, and a Best-Selling Canadian Historian who hails from Downsview, Ontario. You would never suspect that Jason, who was born to Scottish immigrants, would find a way to synergize Folk music and Reggae music in such a uniquely artistic way.

One thing we cannot do is forget the fierceness of the Queens who were present that night. Let us take a look at some of the wonderful women of Canadian Reggae.

NANA MCLEAN
Born in 1960, and hailing from Jamaica, West Indies, McLean was a childhood sensation and won various local carnival contests. Like many greats before her, Mclean made her debut recording sessions at Studio One in 1977. Her very appearance on stage last Saturday sent the crowd into an uproar, which was felt in the upper rafters.

LIBERTY SILVER
At the age of 12, Liberty Silver made history when she opened for Reggae legend Bob Marley. Since then, she has won a multitude of awards and is renowned for her six-plus octave range.

TANYA MULLINGS
It is no surprise that this Dancehall Reggae Diva followed in her father’s footsteps. Tanya began her career in 1989, and since then has been the recipient of 11 Canadian Reggae Award, and five Caribbean Crucible Awards.

LEROY SIBBLES
The night would have not been complete without the vocal stylings of the great Leroy Sibbles. Sibbles initially gained fame as the leader of The Heptones. He went on to a successful solo career and remains an international Reggae favorite.

Some of the other highlighted and featured artists that night included: Ossie D, Jimmy Reid, Otis Gayle, Bernie Pitters, Everton “Pablo” Paul, The Mystics, Roy & Yvonne Panton, Carol Brown, and Glen Washington. It is an outstanding accomplishment to see that this small reggae scene that sprouted in the 1960s and 1970s, gave genesis to artists and sounds that continue to influence the reggae audience to this very day. Great job Culchahworks for bringing such a powerful event to the city of Toronto.

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2 Comments

2 Comments

  1. Roy Panton

    March 9, 2019 at 7:12 am

    It was a fantastic night of Ska & Reggae tunes. To sum it up in one word[Vintage]

  2. Visionary aka Michael Thompson

    March 15, 2019 at 4:40 pm

    Moments that will go down in history in Toronto, Canada every March 2nd will be known as “THE TITANS OF REGGAE DAY”. Much respect going out to Mr Andrew Craig what a phenomenal job this King has embark on, also much respect going out to Jay Douglas for his guidance and leadership throughout this historical event and to all the artist and players of instruments that took part in this showcase well dun I was honored be be in the present of these Titans legends #cloud9 #culchaworks #titansofreggae #bestshowever.

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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