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Culture, costume and Carnival — Becoming a Queen Documentary Is A Caribbean Treasure for the community to remember history in the making

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Photo Credit: Becoming A Queen

BY SELINA MCCALLUM

When people are on the road for Caribana, they see the glitter and glamour of the beautifully, overwhelming costumes, but the hard work that goes into designing, building, and performing can sometimes go unnoticed.

New award-winning documentary film written, directed, and produced by Chris Strikes follows the rise and legacy of Canada’s most decorated Caribbean Carnival Queen, Joella Crichton, as she aims to win a historic tenth title in her last ever competition. The documentary also explores expressions of cultural identity, Caribbean artistry, and a community’s struggle against a lack of understanding of Carnival in the larger society.

Strikes started documenting Crichton, her sister, and their mother in 2017.

“So, I filmed Joella and Mischka, and other performers performance at the 2017, King and Queen. And this was at a time where like, I had jokingly proposed the idea to Joella that, you know, we should tell her story because I thought that there was something special there, especially when you’re in her mom, Lou Ann’s, house and you see all the carnival memorabilia all over the walls. So, I was filming in 2017 with the sort of idea that like, we’d probably do this documentary,” said Strikes.

Crichton grew up in Scarborough, Ontario. She was a shy high school student who blossomed into a genuine star. She reminisces on her childhood as she felt a sort of belonging when preparing for mas.

“Being at the mas camp as a kid and being around other people who were the same culture as me and connecting with them, I really find that as an important aspect of childhood, especially for people whose parents are immigrants. Because it gives you a sense of belonging, and it gives you a sense of understanding of who you are outside of Canadian life,” said Crichton

“I’ve talked to people like during this film, and it’s brought back a lot of my feelings about, just at school, feeling Canadian, and then at home, feeling Caribbean.”

Strikes built on the backstory from Joella’s childhood and family background, but also the history of Carnival.

“It was important for me to not only tell Joella’s story, but also just tell like the history and the cultural significance of Carnival. I wanted this film to be accessible to a wider audience.” said Strikes. “Those historical elements were important for me, and even there’s people within the culture, who may not know the history that deep. For example, a friend of mine knows quite a bit about Carnival history, but she didn’t know that it went back as far as Egypt.”

The Caribbean tradition of parading through the street was founded in celebration of freedom and emancipation from slavery. The Toronto Caribbean Carnival or Caribana is one of the largest street festivals in North America and it attracts thousands of tourists every year leaving about half a million dollars to the economy of Toronto city.

Crichton helps keep the history alive in the minds of young people by teaching classes about Emancipation Day and the abolishment of slavery.

“People have to share and teach. I think it is up to people like me to make sure that all of our Caribbean descendants here in Canada have a background in the culture. If it’s being lost, that’s really hard to say, because, for example, I was at the junior Carnival, and I see lots of kids there. And they’re participating with their families, I think people are still participating in it but do those people all know, the history and the background.” said Crichton. “And that I feel is where maybe we need to focus so that people don’t lose the significance of the parade. So, I think the participation is continuing, but I don’t know if the importance of emancipation and freedom and the understanding of slavery and why this is so huge for Caribbean people is. I don’t know if that is remaining.”

The film also emphasizes and celebrates the intricate details that go into preparing for the competition and building the elaborate costumes; the history of the competition and Carnival in Toronto; Black and Caribbean-Canadian identity; and the fact that Caribbean communities do not hold the same narrow and exclusive standards of beauty as Europe and North America do.

“Everybody was just so confident, no matter what flag they’re waving, no matter where they came from, no matter what shade of skin color they had, no matter how big, how small, young, old, or mature, if you want to use that terminology. It’s just always so beautiful to me and I recognize Carnival as this safe space,” said the Director of Becoming a Queen.

This year, the parade celebrated its 55th anniversary after the pandemic forced cancellations in both 2020 and 2021. Strikes said that they finished filming before the pandemic hit, so the pandemic only gave him more time to edit the film and release it as the world was also opening up again.

Another event that came out of the pandemic was corporations and brands wanting to partner and support Black organizations, communities, and businesses due to the Black Lives Matter Movement in 2020.

Adidas recently partnered with one of the most successful mas bands, Carnival Nationz. Crichton was in one of their promo videos that was advertised all over social media.

“They reached out to me, because of my history as Queen, which I thought was really cool. That was the most Black people I’ve worked with, and I had to mention it to them. I really appreciated that the girls who did my makeup, the girls who did my hair, the person who fit me for everything was Caribbean descent. It was really lovely to work with that much Black people on a set, and they wanted to focus on that.” said Crichton.

“I hope to see more of that from Adidas and other big-name brands and corporations as well, too. That would help to give a voice to the things that we’re talking about, like Carnival being fine art, Carnival being a safe space, and Carnival being diverse and for everybody. If these big brands can come on board and help us to communicate these messages, not just to our audience, but the wider audience as well, I think that’s really huge,” said Strikes.

Becoming a Queen is available to watch now on AppleTV, Google Play, and Youtube Premium. Visit Becoming A Queen for more information.

Selina is a recent Digital Journalism and Communication, Media and Film Graduate from the University of Windsor. While in university, she served as the Arts and Culture Writer for The Lance, as well as a writer, interviewing selected individuals for Street Voices Magazine. Her passions include: creative writing, film, and photography. Over the last four months, Selina has collaborated on a documentary exploring sex trafficking and the horrific elements that harbour the untold truths of human trafficking in Windsor/Detroit. She is a: hard working, responsible and caring individual who continues to seek new challenges.

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Circle of Style: Toronto’s ReMode has joined the Rise of Circular Fashion

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BY SIMONE J. SMITH

“Oh my gosh, look at this jacket! It’s so ’80s, I love it!”

“And check out these funky sunglasses! They’re totally unique.”

In a world where fashion trends come and go like the seasons, there’s a new movement stirring up excitement and creativity on the streets: circular fashion. Circular fashion isn’t just about recycling old clothes; it’s a whole new way of thinking about style. It’s about: embracing sustainability, reducing waste, and reimagining the lifecycle of fashion. Circular fashion isn’t just about shopping; it’s also about getting hands-on and creative. From DIY projects to clothing repair workshops, people are finding joy in reviving old pieces and adding their personal touch.

On Sunday, May 5th, 2024, I (on behalf of the Toronto Caribbean Newspaper) made my way down to the Stackt Marketplace (28 Bathurst St., Toronto, ON) to attend yet another fashion fantastic event put on by Fashion Takes Action. Fashion Takes Action (FTA) is a non-profit organization (established in 2007) to advance sustainability in the entire fashion system through: education, awareness, research and collaboration. That means they work with the people who: make, sell, buy, wear, resell and dispose/recycle clothing! They achieve this through industry programs such as their: annual WEAR Conference, their work to advance circularity, our Employee Education workshops, and their Sustainable Fashion Toolkit.

In 2023 they hosted 30+ vendors in the ReMode Marketplace, featuring an array of businesses focused on: reuse, resale, repurposing, rental and repair. This year, they invited two agencies – Scadding Court and Progress Place – that offer community sewing and repair programs with support from the City of Toronto’s Community Reduce and Reuse Program, and they were on site at ReMode offering repairs to attendees including: hemming, sewing buttons, and mending seams!

I was able to visit their awesome selection of circular fashion businesses where vendors were found throughout the Studio & Lookout spaces. This year their ReMode Marketplace hosted: Nefarious Clothing, Meridian, City of Toronto, StylEthics, LI/NE, Dot & Bea, Diana Coatsworth Design, Cloud Girl Vintage, Absolute Rubbish, Original Genes, Biophilia Vintage, HAUNTS Fashion, Rosebud Studio, The Brides’ Project, rax, Pegasus Community Project, The Shared Bag, olio studio, ASHES, Claire Upcycled, Ardent Earth, Guru, Cassandra Moy, Waratah Avenue, Rent A Pleat, and Demascare!

What I learned during my time there was the popularity of circular fashion. I was reminded that the most sustainable piece of clothing is the one already in your closet…or in someone else’s. We wear 20% of the clothes we own, 80% of the time. So, if there are items that you know you won’t wear, or that don’t fit anymore, a clothing swap is the perfect way to share them with someone else and find new pieces for yourself.

Last year they swapped 1,200 items of clothing. This resulted in 600 kg of diverted textiles from landfills, and 1,600 kg of co2 saved.

What is making circular fashion such a hit? Well, for starters, it’s all about the thrill of the hunt. There’s something exhilarating about discovering hidden gems in thrift stores, or swapping clothes with friends. It’s like uncovering treasures and giving them new life. Here is how Remode’s clothing swap works:

DROP OFF
I did a spring closet clean out? I found some clothes that were in good (used) condition, but just no longer matched my style (or size). I brought 10 pieces.

COLLECT A TICKET
For every piece they accepted into the swap I received a ticket to ‘shop the swap’ – 10 pieces in, 10 new-to-me pieces out!

GO SHOPPING
The fun part; exploring the racks of items at ReMode and using my tickets to add some great new finds to my spring wardrobe!

ReMode is where you come to learn how to keep your clothes in use for as long as possible through the 7 R’s of Fashion, which I learned are: reduce, reuse, resale, repurpose, repair, rent, and recycle. There is a sense of community that comes with circular fashion. Whether you’re attending a clothing swap, or sharing styling tips online, it’s a chance to connect with like-minded individuals and share your passion for sustainability. The Marketplace shines the light on the #nonewclothes movement, with vendors focused on reuse, resale, repurposing, rental and repair.

During the day, they had talks that featured industry experts and influencers throughout the day to help guests learn more about how to reduce their fashion footprint through what they buy and how to care for their clothes.

So, if you’re looking to add a little excitement to your wardrobe and join a movement that’s as stylish as it is sustainable, why not give circular fashion a spin? After all, the circle of style is always evolving, and there’s never been a better time to jump on board.

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Succumbing to the seduction of sensationalism; What needs to be learned from the Eligio Bishop story

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BY SIMONE J. SMITH

In the cacophony of breaking news and sensational headlines, amidst the clamour of media frenzy and the relentless pursuit of the next big story, there lies a stark truth often obscured by the blinding glare of sensationalism: the human story, the one that whispers of pain and trauma, the one that demands understanding and empathy amidst the chaos.

When the spotlight of the media falls upon a narrative fraught with drama and intrigue (R. Kelly, P. Diddy) it too often succumbs to the seduction of sensationalism, weaving a tale that titillates rather than enlightens, that shocks rather than educates. In its relentless pursuit of clicks and views, the true essence of the story is lost, buried beneath layers of hyperbole and exaggeration. Today, I bring a story that checks off every box that I mentioned above; the story of Eligio Bishop (aka, Natureboy).

Eligio Bishop, leader of the alleged cult Carbon Nation, was found guilty on March 1st, 2024 on all counts, including: rape, false imprisonment, and revenge porn charges. The verdict, delivered by a Georgia jury, marks a significant milestone in a case that offered a disturbing glimpse into the operations of the reported cult.

Eligio, who also goes by the names “Natureboy” and “3God,” faced allegations of raping a former cult member attempting to escape, followed by posting explicit content online. The trial unfolded, shedding light on the cult’s practices, particularly its use of social media to propagate its holistic lifestyle and teachings.

Eligio (40 years of age) was arrested in April 2022 after he was accused of being the alleged leader of a cult known as the “Carbon Nation” group. A former member, who identified herself as his girlfriend, told police he posted revenge porn “Because she left him.” She also told law enforcement that she’d joined a “Sex cult in which her boyfriend is the leader.”

Now, I want to be sensitive about this topic and honour the stories of the women who have come out. What he has subjected these women to is atrocious and comes from a very dark part of this man’s soul. I am also going to play angel’s advocate; amidst the noise, there exists a story that cannot be reduced to mere headlines and soundbites. A story that demands to be heard in its entirety, with all its complexities and nuances laid bare. It is the story of a young man, a story that speaks of unspeakable horrors endured in silence, of wounds inflicted not just on the body, but on the very soul.

When a young man is subjected to the cruel trifecta of: sexual, emotional, and physical abuse in his formative years, the repercussions reverberate far beyond the confines of his immediate reality, and so seems to be the case with Eligio Bishop, a story that I find strangely familiar to R. Kelly’s. His memories and thoughts echo through the corridors of his mind, leaving scars that may never fully heal, and have shaped the trajectory of his life in ways unimaginable to those who have not walked in his shoes.

This is not merely a story of victimhood, nor is it one of villainy. It is a story that demands justice, that cries out for accountability and recognition of the profound harm inflicted upon the innocent.

I had a chance to listen to stories of a man who began his life as an orphan growing up in the foster care system and was: sexually, physically and emotionally abused until he and his younger brother Leo were adopted by the Bishops, where the emotional and physical abuse continued until he was able to escape the madness that had become his life.

In a research study titled, “Recovery Experiences from Childhood Sexual Abuse among Black Men: Historical/Sociocultural Interrelationships (2022),” the researchers share that childhood sexual abuse is increasingly recognized as a significant global problem, with self-reported figures being estimated at 7.6% for males and 18% for females.

The report shares that despite the limited research documenting the experience of Child Sexual Assault (CSA) for ethnic minorities, there is evidence to suggest that African-American men were less likely to admit having current adverse effects from CSA, than the other ethnic groups Of those who did admit to present day adverse effects, it was found that many reported difficulties with hypersexualized behavior and substance abuse, and this more often than Latino and non-Latino White men.

African-American males may experience particular pressures to minimize or deny their sexual abuse experience because of socio-cultural norms formulated by historical legacies of patriarchy and oppression.

Participants’ narratives in the study suggested that African-American men who survive CSA are under added pressure to adhere to hypermasculine and hypersexual norms, and as a result, engage in congruent behaviors as a way of coping and reclaiming their masculinity, which has supposedly been diminished or lost as a result of the abuse. This might also explain observations that Black men with CSA reported difficulties with hypersexualized behavior and substance abuse, more often than other men in their study. Participants’ accounts suggest that such behaviors might have a protective effect against stigmatization and adverse psychological and emotional effects of CSA.

The narcissistic, sexual and manipulative behaviour that was reported by some of the women who encountered Eligio speaks to the research that is out there. Reports of abuse (emotional, physical, and sexual), and aggressive behaviour are all the manifestations of a troubled young boy, who exists in a grown, tortured man’s mind and body.

One victim shared, “Women weren’t allowed to wear shirts, so we started wearing leaves. Women had to have sex with Nature Boy. He considers himself to be God. He went from ‘I’m your higher self’ to master teacher to God.’ He believes he is the end all be all — the alpha and omega.”

In a 2022 interview with police that was played in the courtroom, Eligio denied raping anyone. “I have all of these women. Why would I rape someone? I have five women. Why would I rape a girl? I’m a lady’s man,” he told the officer interviewing him. His alleged victim said the incident occurred when she failed to refer to him as “My king.” At that point she said he asked his wife to leave the room, then proceeded to force the victim to have sex with him.

Unfortunately, his don’t care attitude and haughtiness are not serving him and are definitely not aiding his cases. During the hearing, Eligio appeared dismissive, engaging in casual conversation with the bailiff and displaying a lack of remorse. This prompted scolding from DeKalb County Superior Court Judge Stacey Hydrick. Bishop’s attempt to communicate with the judge and the victims resulted in a muted courtroom, emphasizing the gravity of the charges.

In his brief remarks before sentencing, Eligio Bishop asked, “Are you happy?” to which the judge responded, “I’m not answering any questions of yours.” Bishop, seemingly unrepentant, stated, “I forgive, I forgive you,” addressing the judge. Judge Hydrick, unswayed by Bishop’s words, characterized him as a “Master manipulator,” and a classic narcissist.

Are Elgio’s actions forgivable; for many no, but in the relentless pursuit of truth, let us not succumb to the allure of sensationalism. Let us instead strive for understanding, for empathy, for a deeper appreciation of the human experience in all its complexity. For only then can we hope to truly comprehend the magnitude of the suffering endured, and work towards a future where such atrocities are but a dark chapter in humanity’s past.

REFERENCES:

https://www.thedailybeast.com/carbon-nation-alleged-polygamist-cult-leader-eligio-bishop-hit-with-charges-in-georgia

https://www.fox5atlanta.com/news/alleged-cult-leader-eligio-bishop-found-guilty-of-rape

https://www.sportskeeda.com/pop-culture/who-eligio-bishop-aka-natureboy-do-charges-explored-cult-leader-sentenced-jury

https://www.complex.com/life/a/brad-callas/accused-cult-leader-nature-boy-sentenced-to-life

Alleged Georgia Sex Cult Leader Eligio Bishop Sentenced To Life For Rape

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Chat GPT is becoming the BBL of the writing industry

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BY SIMONE J. SMITH

There is a movie called “Idiocracy,” that I was recently introduced to. It’s a satirical comedy that imagines the world 500 years from now, when humanity becomes so unintelligent that an average person from our time goes to the future and all of a sudden becomes the smartest person on earth.

With the explosion of AI, a movie like Idiocracy could become a reality, and one way I see it is when it comes to creative thought. The title of this article is drawing a comparison between the uniformity of certain aesthetic procedures like Brazilian Butt Lifts (BBLs) and the reliance on ChatGPT for communication and information. Just as BBLs can sometimes result in a homogenized appearance, there is a concern that dependence on ChatGPT is leading to a similar kind of uniformity in communication and thought.

Our parents, our grandparents, and our elders were able to navigate this world, and they did not have access to this technology, yet they were able to make it, and get us to this point in history. What about the next generation? How will this technological explosion affect their cognitive development and writing skills? Will they become so dependent on ChatGPT that they can’t write without it? Will it become so indispensable that we don’t know how to deal with its absence. With how things are reading, it is likely that this is already something inevitable. The replacement of human writers may not be far away, as AI continues to become more sophisticated.

We have been exposed to this technology as adults and have already gone through school. What if we had been exposed to it since childhood? Of course, our young writers are becoming dependent on it. Even more senior writers are making the mistake of copying and pasting ChatGPT without regarding the mishaps that come with technology; it has flaws.

I have read stories created entirely by AI. In fact, there are already some stories entirely made by ChatGPT available on Amazon. While they all read technically sound, their narratives lack vividness and leave the impression that something is missing.

What writers are not realizing is that when we receive a result from ChatGPT, we do not evaluate whether the intelligence relies on faulty sources when answering, or if it assumes a tone incompatible with the theme. Many writers ignore these facts, and create texts with inaccurate information, which can damage your reputation or generate poor text with repetitions and language errors.

Let’s lose the BBL writing and do the work Writers!

Like a hammer, if used effectively, ChatGPT is a powerful tool. It is the tool that is necessary to build your story, your script; it is as essential as a lexicon set was back in the days. Due to its speed of response, you can use it as a draft for your ideas and expand the text from there. Personally, I like to use it to generate outlines, which are good, but not perfect; I utilize my knowledge as a writer, and my voice to make it unique. I change the voice of the text, whether from informal to formal, and I make it more persuasive, or emotional depending on the story.

I also use it for feedback purposes. It criticizes your text constructively, pointing out which paragraphs need improvement. Simply ask, “give me some feedback and tell me how I can improve it.”

Writer’s block is quite common, and this is where AI is a lifesaver. ChatGPT can help you continue your story, or provide inspiration and suggestions for your text. As a source of inspiration, or as a source of ideas.

As writers, it’s vital to keep the creative fires burning bright. Challenge yourself continually, exploring new ideas, styles, and perspectives. While tools like AI can assist, never become reliant on them. Remember, they are only as flawless as the humans who crafted them.

Embrace the imperfections of your craft; they’re what make your writing uniquely yours. Keep pen to paper, fingers to keys, and let your creativity soar, unfettered by dependency on any machine.

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