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My Vancouver International Film Festival Reviews: Two extraordinary films that centred Black artists

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BY SELINA MCCALLUM

The Vancouver International Film Festival wrapped up this past Sunday and it was a great success. I viewed two beautiful films that centred Black artist.

The Melt Goes On Forever: The Art & Times Of David Hammons

Directed by Judd Tully and Harold Crooks

The Melt Goes on Forever: The Art & Times Of David Hammons had its North American premiere at VIFF. It was a brilliant film that introduced me to an artist that I am now inspired by.

This documentary perfectly combines interviews, archival footage, music and animation to bring to life the story of David Hammons, an African-American artist in New York, who’s art was firmly rooted in the questioning of dominant culture and exposing racial injustice.

Directors Judd Tully and Harold Crooks always wanted to work on a film together. They were coming up with documentary film ideas when they landed on the art of David Hammons.

“We landed on David Hammons as being this amazing artist. Also, an artist, at least at the time, was unknown outside of this very elite small art world. And our idea was to bring him to a larger audience, because we both felt that he was such a powerful kind of outsider, insider artist who was so present about many social issues and dealing with them from the very beginning of his practice, which goes back to when he was a young man in Los Angeles, in the mid 60s and in the Watts rebellion. And so, we very much wanted to create this sort of historic landscape from that time to moving to New York,” said Tully.

One of Hammons’s art pieces that stood out was a chandelier replacing a basketball net. He also used bottle caps to cover an entire phone poll. Last but not least, he used cut hair from Black barber shops around New York and used the hair in his projects as well.

Tully says he is most proud of the beautiful music that is in the film.

“One of the things that I’m most pleased about with the film is the music is composed by Ramachandra Borcar and what he was able to do, and the musicians he was able to bring in, I think greatly augmented the effect of the film and in terms of moving along when you have a lot of people talking,” said Tully.

The co-director says the art world started to wake up during the Black Lives Matter Movement in 2020.

“I’m involved in the art market, not buying and selling, not as an art dealer, but as a journalist covering things like auctions, art fairs and art exhibitions. The art world, until fairly recently, was something like approaching a South African apartheid. It was a White only world, from top to bottom artists, art dealers, museum curators, museum directors, and then all of a sudden, it was as if someone flicked on a switch and said, “Oh, my goodness, we have to bring in this other part of our world.” And that’s been going on actually, during the time that we made the film. And so your question about the message behind the film is that, it’s just waking up the artwork.” said Tully.

Check out www.themeltfilm.com to learn more about the film and where you can watch it.

Music Pictures: New Orleans

Directed by Ben Chase

Music Pictures: New Orleans is a beautifully done film that is compelling and sounds even better because of the four New Orleans superstars featured in the film.

Music Pictures gives us four legacy portraits of New Orleans music figures Irma Thomas, Little Freddie King, Ellis Marsalis, and The Tremé Brass Band. In their 80s, these local masters continue their practice, for the love of the music, in the city that made them who they are.

The film had its Canadian premiere at the Vancouver International Film Festival last week. Earlier this year it had its world premiere at the Tribeca Film Festival in New York.

Ben Chase is the Director, Screenwriter, Editor and Producer of the film. He says that this story is inspirational because the musicians choose to continue to make music despite hardships.

“It’s a story about these beautiful people that are still doing their thing. To me, watching the subjects of the film practice their craft in their 80s, when they don’t need to be doing it, when they’ve already had enough recognition in their town, they’ve already had enough struggles in their life, but they do it because they love it. That’s inspirational. I think that could be inspirational to anyone, whether they are Canadian, or otherwise,” said Chase.

Sadly, one of the artists featured in the film, Ellis Marsalis, passed away in 2020 from Covid at 85.

In the film, we see all four musicians perform. Living-legend Little Freddie King, one of the last original bluesmen, is still performing live at age 81. Grammy-winner Irma Thomas, who is also known as “The Soul Queen of New Orleans,” and has performed with James Brown, sings gracefully in the film. Benny Jones Sr., of the Tremé Brass Band also gives a stunning performance.

Chase shares how and why he selected the four talented New Orleans musicians.

“I can see this project as both a music recording project and a documentary film. I was doing some work with this record label in New York, that just did these kinds of vinyl compilations called New Vale records. I had just moved down to New Orleans and I said, “Listen, there’s some incredible musicians here that are not being recorded really too much at this stage in their careers, but and also haven’t quite gotten the recognition outside of New Orleans that they deserve,”” said Chase.

Music Pictures takes the audience on a journey through New Orleans as it shows the history of the city, the energy on the streets, and the passion of the musicians. The musicians also share vulnerable stories that help the audience feel closer to them. Chase hopes that after people watch the film, they will feel intrigued to search up each artist and listen to their music.

“It’s a difficult moment for music because everything’s online, and it becomes ephemeral. So, things kind of have less gravity than they did back in those days. And that’s why I think we have a lot to learn from those musicians who came up in that era. And to go through what those artists had to go through as Black musicians in the South in the 60s and 70s. This documentary is not going to change the trajectory of anything, but hopefully, when people watch it, they’re going to look up all the artist’s records and dig into it,” said Chase.

Check out www.musicpictures.co to learn more about the film and where you can watch it.

Selina is a recent Digital Journalism and Communication, Media and Film Graduate from the University of Windsor. While in university, she served as the Arts and Culture Writer for The Lance, as well as a writer, interviewing selected individuals for Street Voices Magazine. Her passions include: creative writing, film, and photography. Over the last four months, Selina has collaborated on a documentary exploring sex trafficking and the horrific elements that harbour the untold truths of human trafficking in Windsor/Detroit. She is a: hard working, responsible and caring individual who continues to seek new challenges.

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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