Connect with us

Community News

Top ten ways the digital age has changed the game for artists

Published

on

BY SELINA McCALLUM

A decade ago, I was 13 years old, and I was wandering around for hours in different worlds by reading books. Then, I would write short stories and poems using the words I collected from the stories I read. When I went to high school, I knew I wanted to follow my passion of being a journalist because of my love for writing. Writing is an art form that, to me, is the most powerful one of them all.

As the years have gone by, artists like myself have had to shift their traditional ways of creating art due to the demands of the digital age. For the past decade, the number of people online has accumulated to over 4 billion online users as of January 2019 according to We Are Social and Hootsuite. This article covers the ten ways I have seen the digital age change the rules for artists and producing artwork.

Ownership
The art we make no longer belongs to us. Once it is on the internet, it is swept into a vast sea of people who crop it, reword it, brighten it, and just all around edit it to land on your shore looking the exact opposite from its origin. If you’re a photographer reading this, you know exactly how this feels. Your watermark may still be on the photo, but it is not your photo. For people who make comics or drawings, the image may be stretched out or made smaller to fit  the standard on different social media sites. As an artist, we must know that if we decide to put it online, it will be in the people’s hands, literally.

Meeting an international demand
The more eyes on our artwork means the more we need to produce. We were not as connected to the rest of the world as we are today. Facebook was the first social media platform that allowed us to sell our art in the greater community and opened up possibilities to sell internationally. When Instagram launched in 2010, it became another option to connect with others, meaning we could reach more people around the world, who may want to buy our art. It’s a blessing, but we can also burn out.

Networking
Facebook and email newsletters have allowed artists to connect with each other to learn and work together. Through Instagram, artists can also see each other’s work and know right away if it’s someone they want to connect with.

Collaboration
Artists aren’t the only ones looking to work with other artists, but brands and corporations too. Due to the follower count an artist may have on their social media, brands and corporations want to partner with them to stand out and reach a new audience. For example, Absolute Vodka worked with artist, Quincy Morales, on an advertising campaign. They also featured other artists from the city of Toronto. What businesses have realized over the past decade is that people want to see people like them, and this is more prominent today than it was ten years ago.

Marketing
Singers, songwriters, poets, photographers and artists alike no longer need agents to represent them and their art. With the power of social media, artists have been able to do this themselves by posting their work and directly dealing with people who want to hire them or sign them to a contract. Alessia Cara, the famous singer from Brampton, was discovered on Instagram as she was posting videos of her singing in her bedroom. More and more artists are getting recognized online and able to market themselves to A&R’s of companies like Sony and Universal Music just through a Direct Message.

Publishing
In the beginning of this decade, publishing houses were still very much needed, but today authors can publish on their own. Authors can choose to publish for free or charge a small price to readers to receive a PDF version of their book. Apps like Wattpad has also made it easier for writers to gain popularity and a fan base by publishing chapters for online users to consume.

Clout
Is art made because the artist wanted to create it or because they wanted to go viral? Clout is a popular word of this decade which means having a lot of influence or power. Due to apps like Tik Tok and Thriller where you can post 30 second video clips, artists can become instantly famous by uploading a funny video of them singing or dancing. However, this isn’t always a good thing, because then the online world can put the artist in a box, not allowing them to branch out as anything or anyone else.

Copyright
Revisiting the topic of ownership, copyright has become very important for artists as it can be hard to keep track of who’s idea belongs to who. In a world where everyone is trying to imitate each other, owning your ideas legally has become detrimental to artists to survive.

Exposure
This year I have seen a number of artists fight back when it comes to exchanging their time, effort and art for exposure. Towards the end of this decade, artists have been supporting artists. More people are starting to realize that art is timeless and worthy. However, exposure now can sometimes be a good thing due to the number of followers someone may have. If a celebrity reposts a photo that a photographer took at their concert, the photographer may start to gain a lot of viewers on their Instagram, which could lead to potential clients.

Social Impact
The last decade has brought on a lot of pain and trauma for a lot of people. Issues of racism and homophobia may seem subtle to folks in Canada, but in America people have been shot by the police and transgender black women have been killed by homophobic men. Due to the injustices, artists have used their art as their voice to shout about these injustices online by posting videos, photos, sketches and paintings. I predict that for next decade, we will see more artists using their art more to make an impact and raise their voice.

These are the ten ways that the digital age has changed the game for artists, and as technology grows, artists will continue to adapt to produce their art.

Selina is a recent Digital Journalism and Communication, Media and Film Graduate from the University of Windsor. While in university, she served as the Arts and Culture Writer for The Lance, as well as a writer, interviewing selected individuals for Street Voices Magazine. Her passions include: creative writing, film, and photography. Over the last four months, Selina has collaborated on a documentary exploring sex trafficking and the horrific elements that harbour the untold truths of human trafficking in Windsor/Detroit. She is a: hard working, responsible and caring individual who continues to seek new challenges.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Community News

Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

Published

on

Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

Continue Reading

Community News

Generational survival: Can our young people survive our generation?

Published

on

Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

Continue Reading

Community News

The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

Published

on

BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

Continue Reading

Trending