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Black Excellence on the Silver Screen: Toronto Black Film Festival Announces This Year’s Lineup

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BY: DELLIA RISMAY 

The Toronto Black Film Festival, or TBFF for short, has returned for its sixth year in the city and is here to not only help audiences celebrate black history month but to remind audiences that black voices and experiences need to be shared. Taking place from February 14th to 19th, the festival features 60 films from 20 countries, including Brazil, South Africa, France, Haiti, Kenya, Swaziland, the UK, Nigeria, Canada, and the US. Founded by the Fabienne Colas Foundation and co-presented by TD in collaboration with Global News, TBFF gives creators a unique platform to share their stories and allows audiences to discuss cultural, social and socio-economic issues. The event follows in the footsteps of its sister festival, the Montreal International Black Film Festival, which was also created by the Fabienne Colas Foundation, and is in its 14th year.

Opening the film festival and making its Canadian premiere is “The Rape of Recy Taylor”, directed by Nancy Buirski. When Taylor was twenty-four years old, she was abducted as she made her way home from church. She was raped and then left for dead by six armed white men in Jim Crow era Alabama. Despite the threat of violence or death if she revealed what happened to her, Taylor identified her attackers. The NAACP sent their chief rape investigator, Rosa Parks, and what followed sparked a movement towards justice.  Oprah spoke about Taylor in her impassioned Golden Globes speech applauding the strength of women for speaking their truth despite the threats from corrupted men in power.

Colas says that she and her team have been trying to get Buirski’s film at their festival for quite some time and were happy to finally have it for this year’s event. And with Oprah’s Golden Globes speech, it turned into the gift that kept giving. “We were going to screen the film, then we heard Oprah talking about it. That was like, ‘O la la!’ That was a great gift for the director that put so much effort into the film,” Colas says. Due to the hype that Oprah stirred up, as well as being awarded the Human Rights Nights Special Prize for Human rights at the Venice Film Festival, Colas predicts that the film’s screening at TBFF will sell out very quickly. 

Other poignant films that will be shown at TBFF include “Tagged” by Jual DaCosta. Centering around a mother trying to grieve her son after he was murdered, the film delves into the issue of how black youth are stereotyped: that those that die by the gun, live by the gun. “Not only is the media portraying that her son was gang-affiliated, but it also influences her community and her family to start thinking that same thing. They also make her feel as though she shouldn’t even grieve her son, because in their eyes he’s a villain, when in fact, he was not,” DaCosta says. The inspiration for “Tagged” came from DaCosta witnessing situations like this happen in her own community. She says that it’s a story that needs to be told, especially in this city. “A lot of people think that these things only happen in the States, and I wanted to show that it does happen in Toronto.”

For younger audiences interested in attending TBFF, this year, for the first time, there will be a day dedicated to children’s films. Not only is this a first for TBFF, but a first for all black film festivals across Canada. “I’m very happy, because for so long people have been asking for kids’ films, and now they have their own day!” says Colas. Not only is the children’s day a way to encourage families to experience the festival, but also to plant the seed of pride, curiosity, and critical thinking in relation to blackness. “We wanted to expose kids to black history and black stories. We cannot just wait for us to be grown-ups, and then we get exposed to all that. It’s okay if you’re already grown-up and then you start to get exposed to that. But we can start with the kids as well,” she explains.

Those hoping to get some insider info on what goes into filmmaking are in luck: the festival will be bringing back their Masterclass/Workshop called TBFF Black Market, where filmmakers from across the country and around the world will gather to give participants information about all the stages of creating a film. The series will be held over two days, with the “meet the filmmakers” portion as well as a tribute and workshop with casting director and producer Robi Reed held on February 17th, and the “meet the producers” portion on the 18th.

For the full schedule, screening locations, and to purchase tickets for what’s sure to be an amazing film festival, head to www.torontoblackfilm.com. For a limited time, you can purchase an all-access pass for $140, valued at $250.  But hurry, this is a festival you won’t want to miss!

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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