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Working in new lanes and expanding his brand; Chef Wes doesn’t make burgers, he makes backbone sliders

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Photo Credit: Maestro Fresh Wes on Facebook

BY SIMONE J. SMITH

Wesley Williams (aka, Maestro Fresh Wes), our beloved Godfather of Hip-Hop has yet again eclipsed his role in the Canadian entertainment industry. When you take in what defines a Godfather, it is a moniker that holds a great distinction and comes with important responsibilities. As a Godfather, Maestro has taken the role as a mentor to music creatives, and in his day-to-day walk continues to set an exemplary example for the African-Caribbean community

It can’t be denied; Maestro is an inspiration. He became the first ever hip-hop artist from Canada to land on Billboard’s Top 20 Rap Singles chart, and the first Black Canadian recording artist to reach platinum status in Canada.

In the last few years, I have had the honor of being mentored by Maestro, and I have witnessed him modify his identity. He has an innerstanding of his strengths and weaknesses, his passion and his story. He stays in a state of self-assessment and puts in the work and effort needed to achieve his reinvention. He has taught me that if you don’t go through a process of self-discovery, and just accept others’ decisions, you will be 10 years down the road, trying to figure out how you got there. It takes well-calculated steps to get to where he wanted to be.

On January 26th, 2023, these calculated steps were proven when Maestro premiered Maestro Chef Weon Bell Fibe TV, channel 1 (Fibe TV1). The show follows our Godfather as he travels the Maritimes with his new moniker “Chef.” Chef Wes doesn’t make burgers, he makes Backbone Sliders. He puts his unique take on everyone’s favorites, and in each episode, Williams and his celebrity guests come together to fish, farm, talk about life and chop it up in the kitchen before their company arrives. Then, everyone gathers together to eat the delicious food followed by a live performance by the Godfather of Canadian Hip Hop himself and fellow artists.

The upcoming Maestro Chef Wes series features hip hop artist Classified (@classifiedhiphop), Chef Renée Lavallée (@feistychef) (Co-owner of The Canteen on Portland in Dartmouth, Nova Scotia), East Coast Horrorcore rapper Lxvndr (@iamlxvndr), and Battle Rapper Pat Stay who was fatally wounded in a stabbing incident last September.

This is not our first time seeing our Godfather on the big screen. We laughed along with him during his eight seasons of CBC’s Mr. D. He most recently hosted Season 2 of CBC television’s Race Against the Tide — a sand sculpture competition on the Bay of Fundy. It was actually while taping Race Against the Tide that the desire to produce a cooking show began to manifest.

“I did Race Against the Tides, and as much as I enjoyed doing the show it was not my thing; I needed my own thing. I have wanted to produce television projects for a while, but this is the very first project I have ever had a chance to produce. I am thankful to Chet Wesley and Lauchnan Ough for all of their help launching Maestro Chef Wes. Trust me when I say that we had our challenges; during the pandemic we were supposed to shoot an episode for one trip in P.E.I., but it turned into two trips. You know, small inconveniences like that.

I have the chance to learn with celebrity chefs:

  • Michael Smith
  • Charlotte Langley
  • Jesse Vergan
  • David Miles

We dedicated Episode Five Pat Stay; it was a sad time when we heard that he had passed.”

There is clear evidence that Maestro manifested his current life. During our talk, he shared some past thoughts with me. “One of my favourite times was when I was in North Preston, Halifax. I remember sitting there, having soul food, and I was like ‘Where am I? You couldn’t find food like this in Toronto. I remember saying to myself, ‘One day, I want to do a show there,’ and here we are.

I was buggin a little bit when I did my taping at the Marilyn Denis Show. That exact studio was where Electric Circus was. I first performed “Let your Backbone Slide,” on Electric Circus, and there I was talking about “Backbone Sliders.” I was in the exact same spot.

It is his ability to diversify and mix up his life and career that keeps Maestro at the top of his game. He continues to perform and release music — in fact, his last two albums have been for kids. 2021’s Maestro Fresh Wes Presents: Young Maestro’s School Days and 2023’s Maestro Fresh Wes Presents: Young Maestro’s “Julia The Great” (feat. Keysha Freshh).  I am very proud of this last project. It is about a young girl named Princess J. Her parents are divorced, but her father remains a constant in her life. In this album, I was able to speak about community and family structure. The song is designed to help young black girls see themselves as the leaders of the future.”

Both albums have received Juno nominations for Children’s Album of the Year, and there is more…

He authored 2010’s book Stick to Your Vision: How to Get Past the Hurdles & Haters to Get Where You Want to Be, and recent kids’ book, 2021’s Stick to Your Vision: Young Maestro Goes to School. When he relocated from Toronto to Saint John, N.B. in late 2020, he expanded even further, and is now hosting a CBC radio show, Maestro in the Maritimes.

He had a final message for our young musical creatives.

“If you think you can rap and that’s it, it won’t work. While you are aspiring to do that, learn a couple trades. Learn to expand and learn different things. Treat people well on the way up and maintain solid relationships. Relationships are everything!”

We, as humans are guaranteed certain things in life: stressors, taxes, bills and death are the first thoughts that pop to mind. It is not uncommon that many people find a hard time dealing with these daily life stressors, and at times will find themselves losing control over their lives. Simone Jennifer Smith’s great passion is using the gifts that have been given to her, to help educate her clients on how to live meaningful lives. The Hear to Help Team consists of powerfully motivated individuals, who like Simone, see that there is a need in this world; a need for real connection. As the founder and Director of Hear 2 Help, Simone leads a team that goes out into the community day to day, servicing families with their educational, legal and mental health needs.Her dedication shows in her Toronto Caribbean newspaper articles, and in her role as a host on the TCN TV Network.

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Timeless music brought to life on stage; Welcome to the Soul Nostalgic Experience

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Photo Credit: Jose Maria Elizalde

BY SIMONE J. SMITH

“Ladies and gentlemen, welcome to the Soul Nostalgic Experience! Tonight, we’re taking a journey back in time to relive the magic of an era that continues to inspire and captivate audiences worldwide. Are you ready to feel the groove?”

The audience erupts into cheers and applause as the band launches into a classic soul tune. People start swaying in their seats, unable to resist the infectious beat. A few brave souls even start dancing in the aisles.

Imagine being transported back in time to the golden era of R&B and Soul music, where smooth melodies and infectious rhythms ruled the airwaves. Now, envision this timeless music brought to life on stage with the energy and spectacle of a Las Vegas residency.

That’s precisely what the Soul Nostalgic Experience is all about. As I stepped through the doors, I was greeted by the smooth ambiance of classic R&B tunes mingling with the clinking of glasses and the tantalizing aromas wafting from our kitchen. The atmosphere was electric, alive with the anticipation of what the night had in store.

In the heart of Toronto’s vibrant music scene, there exists a figure who orchestrates brilliance from the shadows. Steve Hollywood, a name whispered among those in the know, is the unseen force behind many of the city’s musical endeavors. Despite his significant contributions, he stays removed from the spotlight, preferring the quiet hum of behind-the-scenes influence. Regardless, his presence remains enigmatic, known only to those privileged enough to collaborate with him. It’s a rare invitation to glimpse into his world, an offer extended to a select few, beckoning them to join the symphony of creativity he meticulously curates.

On Thursday, April 25th, 2024, the Toronto Caribbean Newspaper was welcome to the Acqua Supper Club, where the heartbeat of Toronto’s R&B and Soul scene will pulsate throughout the summer. Nestled in the heart of the city, the venue is a sanctuary where men and women will be able to gather for unforgettable evenings of soulful music and culinary delights.

At the helm of this musical journey is none other than DRU, a Juno Award-winning and gold record artist with a visionary passion for bringing back the magic of the 90s and 2000s R&B/Soul era. From timeless classics to contemporary hits, his performance was a journey through the soul, evoking nostalgia and stirring the spirit. Inspired to create something truly special, DRU collaborated with the immensely talented The Recipee Band to craft a show unlike any other. The Recipee Band, comprised of musical virtuosos: Jason Larmond, Otis Williams, Juwayon Clarke, and Jonathan Kerr, bringing over two decades of collective experience to the stage.

Drawing from a diverse range of genres and generations spanning from the 50s to the present, The Recipee Band serves as the backbone of Soul Nostalgic, infusing each performance with their unmatched musicality and passion. Soul Nostalgic isn’t just a concert; it’s a collective of exceptional talent coming together to create an immersive experience that will transport you back in time.

The night brought me through a ray of emotions, from high-energy dancing to electrifying live music, every moment of the show was designed to make you groove and feel good.

As the night unfolded, I found myself immersed in a world where time seemed to stand still, where the troubles of the outside world faded away, and all that mattered was the connection between music, food, and community.

I completely co-sign on this unforgettable journey. On May 30th, 2024, they are sharing this experience with the city again, so get ready to dance, sing along, and relive the magic of an era that continues to inspire and captivate audiences worldwide. This is more than just a concert; it’s the Soul Nostalgic Experience.

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Generational survival: Can our young people survive our generation?

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Photo Credit: Dr Obotdean

BY STEVEN KASZAB

The young people of the day are often criticized for not voting or participating in our electoral and public service efforts. Called bubble wrapped by some, those who attend schools of higher learning face challenges presented to them such as: professors who are not objective but espouse various ideologies of the left or right. Professorial prejudices often place the young student in academic limbo, encouraged to choose their professors preferred political outlook.

Raised to be democratically inclined, our youth often witness the actions of our establishments, which can appear to be very undemocratic. Terms like “Do as we say, not as we do,” hypocritical actions by the administration and police often lead our youth an openness towards misguided ideologies and movements of purported social change.

Our youth are encouraged to insert themselves into local, national and international politics, only to be witness to the horrible events, misinformation and the manipulative nature of global media who present their own interpretation of said events. Media is in fact a business manipulated by corporate and politically friendly owners. So, how can our youth truly believe what is in fact real, truthful, honest and objectively presented?

Our youth will often develop a sense of “Stockholm Syndrome” like attitudes, actions and desires. Desire to change a society that is obviously unacceptable but have an attitude to accept no other message except that which is given by their governments and institutions.

Our youth find the idea of voting in a system that remains the same, changes nothing and has players who all look and act alike to be a waste of time and effort. There will always be bad guys, taxes, raising prices, and diminishing opportunities. One’s outlook can be deflated, filled with nervous tension and even fatalism. War, addiction, premature deaths, abortion, women rights, democracy while supporting and doing business with dictatorships.

To be young, means to create, grow and aspire to positive things. Our national and global experience is seen as the opposite of that approach. There is simply: too much going on, too many people being harmed, too little opportunity, too much misinformation, too much greed to allow our young to develop in a well-balanced, mentally positive manner.

Mental health concerns for not only the youth, but our own as adults challenge us to change our ways, assist each other with an: empathetic, charitable manner, open minds and hearts.

Our young people are our treasure and future hope. If they are screwed up, so too are our future expectations and future goals. We have to continue to work on getting it right.

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The Black Business and Professional Association (BBPA) scandal: Is there room for corrections and restoration?

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BY MICHAEL THOMAS

After over 40 years of upholding a legacy of integrity and excellence, accusations and allegations of mismanagement of public funds and conflict of interest have raised its ugly head at the Black Business and Professional Association (BBPA).

As I investigated the meat of information surrounding this case it is easy to see why many buzzards are circling this prey. One of the main allegations I have noticed is that BBPA management awarded contracts to companies controlled by the former President and CEO, Nadine Spencer, without appropriate due diligence. Again, if this turns out to be true, an organization that has been in business for four decades must have seen this coming.

If the rules of receiving the funds, or government grants say that you must put out tenders to hire workers, then by all means do so. We have to remember that bad news travels twice the speed of good news.

There is more; on November 5th, 2021, the BBPA’s President at the time, Nadine Spencer became the CEO where she was allegedly paid in the range of $250,000. This was used to make the comparison that a bigger organization was thriftier with their money than BBPA, here is how. As an example, the Executive Director of Tropicana Community Services, a much larger non-profit organization, earned a salary of $163,671 in 2023.

My job in this article is not to throw BBPA under the morality bus, but to shed a bit of light on how as a people we must realize that all eyes are on us. Something I quickly spot is how many mainstream media took the opportunity to jump at this alleged scandal in BBPA, yet, for over four years now Canada has been led off the cliff, and because these same mainstream media folks were paid and funded, they looked the other way.

Do I condone the misuse of public funds? Hell no! If these allegations are proven to be true, should BBPA be held accountable? Hell yes!

That said, I went to BBPA’s website to have a bird’s eye view of what this organization is all about, and after reading I must say I was impressed.

I am hoping that BBPA realizes that to whom much is given, much is required.  An organization that has kept such a sterling reputation over the last four decades need not look only in its rearview mirror, but in blind spots as well.

Misappropriation of funds is no laughing matter regardless of how big or small an organization is, nor is conflict of interest. These are tantamount to having blood stains on white garments. If proven there needs to be public apologies, and most importantly “a complete cleaning of the house.”

The Boards of Directors of the BBPA released a statement on Friday, April 26th, 2024, in response to the call for their resignation in the midst of the allegations of financial mismanagement. The statement was addressed to BBPA members/supporters. It states, “We want you to know that we have been listening to the concerns that have recently been raised. The BBPA has hired independent professionals to undertake the appropriate reviews. The current BBPA Board has and continues to proactively take steps to strengthen governance and compliance practices. We are all dedicated to learning, improving, and continuing to work together through this process. We, as Directors, also want you to know that you can reach out to us any time for a conversation.”

Now in the case of Mr. Harry Jerome’s daughter, when one engages in asking an organization that has upheld her father’s name for four decades to quit using the name. I would like to think that this individual has solid proof of wrongdoing, or if proven wrong is ready to apologize as well, but with all these wolves circling the wagon. I understand her plight.

Starting from a small gathering that honored just six Black Canadian athletes who excelled at that year’s Commonwealth Games in 1983, to an organization that built an endowment fund of close to $600,000, and in the last 24 years the fund has granted over 650 scholarships totaling close to 2.5 million dollars, BBPA has a lot to be proud of.

However, if these allegations are found to be false, I am hoping that the accusing parties will do the right thing and apologize. On the other hand, if BBPA is found to be in the wrong, then the organization should be wise enough to rock the boat and throw those found guilty of tarnishing BBPA’s and Mr. Harry Jerome’s good reputation completely overboard.

According to news sources, BBPA has categorically denied all allegations. Whichever way this cookie crumbles, BBPA, your decision should and must make your people, and the late sprinter Mr. Harry Jerome’s name and family proud.

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